The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...
When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...
To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...
Kayne Griffin Corcoran is pleased to present Flowers, an exhibition of new works by Sam Moyer.
Comprising eight wall works and one outdoor sculpture, Flowers marks Moyer’s initial foray into figurative representation. Flowers, a symbol of growth and the transience of nature, are represented here in hard and lasting stone, merging temporality and transience with permanence and solidity.
Over the past five years, Moyer has embraced the tension between painting and sculpture through the process of fitting repurposed stone into hand painted canvas mounted to MDF panel. In Flowers the artist assembles found scraps into floral forms that look strikingly naturalistic while retaining the improvisational quality of past works. Moyer’s flowers, inspired by Ellsworth Kelly’s plant drawings, have a hand-drawn quality—line, contrast, and design are essential pictorial elements. Slower and quieter than their precursors and comprised of smaller fragments, the works on view in Flowers build on the goal of balanced composition via improvised geometry toward the additional end of resemblance through representation.
As Moyer demonstrates the illusory possibilities of stone without altering its status as found scrap material, memory plays a role. No sculpting in the traditional sense of moulding or chiseling occurs, instead the picture results from a conscious spontaneity born of reflection. Moyer arranges pieces of slate and marble until they satisfy her figurative requirements. Playfully worded titles like Bucknell Bougainvillea and Magnolia Blvd. recall the significance of floral imagery in Los Angeles, where Moyer grew up. Through her intervention stone becomes a symbol of delicacy, beauty, and femininity.
Outside the gallery, a free standing sculpture continues the project of challenging medium-specificity. Two human-sized stone monoliths lean against each other secured by a Japanese joint usually reserved for woodcraft.
Sam Moyer’s works are included in prominent collections including the Whitney Museum of American Art, New York; Yale University Art Gallery, New Haven; Louis Vuitton Foundation, Paris; The Aïshti Foundation, Beirut; and the Davis Museum, Wellesley College, MA. Moyer has exhibited her work at The Drawing Center, New York; The Bass Museum, Miami, FL; University of Albany Art Museum, New York; The Public Art Fund, New York; White Flag Projects and The Contemporary Art Museum St. Louis, MO; LAND, Los Angeles; Tensta Konsthall, Stockholm; and Société, Berlin. Moyer has participated in important group exhibitions including: Inherent Structure, Wexner Center for the Arts, Columbus, OH; Painting/Object, The FLAG Art Foundation, New York, NY; Greater New York and Between Spaces at PS1 Contemporary Art Center, Queens, and in 2018 she was the subject of a solo presentation at Art Basel Unlimited. Sam Moyer received her BFA from the Corcoran College of Art and Design; her MFA from Yale; and she lives and works in Brooklyn.
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