Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
Kayne Griffin Corcoran is pleased to present Flowers, an exhibition of new works by Sam Moyer.
Comprising eight wall works and one outdoor sculpture, Flowers marks Moyer’s initial foray into figurative representation. Flowers, a symbol of growth and the transience of nature, are represented here in hard and lasting stone, merging temporality and transience with permanence and solidity.
Over the past five years, Moyer has embraced the tension between painting and sculpture through the process of fitting repurposed stone into hand painted canvas mounted to MDF panel. In Flowers the artist assembles found scraps into floral forms that look strikingly naturalistic while retaining the improvisational quality of past works. Moyer’s flowers, inspired by Ellsworth Kelly’s plant drawings, have a hand-drawn quality—line, contrast, and design are essential pictorial elements. Slower and quieter than their precursors and comprised of smaller fragments, the works on view in Flowers build on the goal of balanced composition via improvised geometry toward the additional end of resemblance through representation.
As Moyer demonstrates the illusory possibilities of stone without altering its status as found scrap material, memory plays a role. No sculpting in the traditional sense of moulding or chiseling occurs, instead the picture results from a conscious spontaneity born of reflection. Moyer arranges pieces of slate and marble until they satisfy her figurative requirements. Playfully worded titles like Bucknell Bougainvillea and Magnolia Blvd. recall the significance of floral imagery in Los Angeles, where Moyer grew up. Through her intervention stone becomes a symbol of delicacy, beauty, and femininity.
Outside the gallery, a free standing sculpture continues the project of challenging medium-specificity. Two human-sized stone monoliths lean against each other secured by a Japanese joint usually reserved for woodcraft.
Sam Moyer’s works are included in prominent collections including the Whitney Museum of American Art, New York; Yale University Art Gallery, New Haven; Louis Vuitton Foundation, Paris; The Aïshti Foundation, Beirut; and the Davis Museum, Wellesley College, MA. Moyer has exhibited her work at The Drawing Center, New York; The Bass Museum, Miami, FL; University of Albany Art Museum, New York; The Public Art Fund, New York; White Flag Projects and The Contemporary Art Museum St. Louis, MO; LAND, Los Angeles; Tensta Konsthall, Stockholm; and Société, Berlin. Moyer has participated in important group exhibitions including: Inherent Structure, Wexner Center for the Arts, Columbus, OH; Painting/Object, The FLAG Art Foundation, New York, NY; Greater New York and Between Spaces at PS1 Contemporary Art Center, Queens, and in 2018 she was the subject of a solo presentation at Art Basel Unlimited. Sam Moyer received her BFA from the Corcoran College of Art and Design; her MFA from Yale; and she lives and works in Brooklyn.
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