The Jeweled Isle: Art from Sri Lanka at the Los Angeles County Museum of Art (9 December 2018–23 June 2019) is billed as the first comprehensive survey of Sri Lankan art organised by a U.S. museum, with around 240 works—including decorative objects, textiles, photographs, and historical works from the museum's own collection of Sri Lankan...
A radiographer by training, Ellen Pau is a self-taught artist who emerged from Hong Kong's fledgling contemporary art scene of the late 1980s, when video was a comparatively nascent medium. In 1986, Pau co-founded Videotage—a non-profit organisation that specialises in the promotion and preservation of video and new media art. Pau has an...
S.E.A. Focus, the new boutique art fair by STPI – Creative Workshop & Gallery, will take centre stage during this year's Singapore Art Week (19–27 January 2019). Running between 24 and 27 January 2019, 26 galleries will participate in the inaugural edition, showcasing modern and contemporary Southeast Asian art within a pop-up structure in...
KEWENIG is pleased to announce the first solo exhibition in Spain of the artist Elisabeth Frieberg (*1977, Sweden) at the gallery's location in Palma de Mallorca, the 13th century chapel, Sant Feliu Oratory, opening 24 March on the occasion of Art Palma Brunch.
This exhibition takes its name from one of the two key paintings in the show, Bat Seba, No. 4, which seems to have been created especially for the Oratory. The biblical love story between Bathsheba and King David, rewritten and extended in Bat Seba (1984) by the Swedish author Torgny Lindgren (1938–2017), provoked clear images of the two protagonists for Frieberg, leading to the two large abstract portraits Bat Seba, No. 4 and King David, around which eight other works revolve. The space and layout of the chapel play a very important role for the artist, as if the presentation of her work is a performance.
These two paintings, like their namesakes, are in constant dialogue with one another. They share a new, contemporary love story in the chapel, transposed by Frieberg. They dance together within the space (to Giorgio Moroder's Italo disco in the mind of the artist), King David, intoxicated by Bat Seba is compelled to dance around her. She, in turn is persuaded to move due simply to the allure of the music.
Frieberg is a risk taker, tracing her personal experience into her work, energetically transposing nature and the world around her, through beaming colours, vibrating lines, and haptic layering, allowing for unexpected encounters to transpire. The works are created, like mind maps, in which the more complex the map, the more exciting the encounter. Frieberg's works have an ever present, improvisational, poetic mood–toying with scale, rhythm and time with an ever-evolving inquisitive disposition.
Elisabeth Frieberg, born in 1977 in Stjärnhov, Sweden, currently lives and works in Stockholm, where she teaches painting at Konstfack, the largest Art Academy in Sweden. In 2010 she obtained her Masters degree in Fine Arts at Umeå Academy of Fine Arts, Sweden. Frieberg has received various scholarships, among them from The Swedish Arts Grants Committee, the Ester Lindahl Foundation, The Olle Baertling Foundation and The Royal Swedish Academy of Fine Arts.
Her work has been exhibited at Magasin III Museum & Foundation for Contemporary Art (private view), Stockholm (2017); The Swedish Contemporary Art Foundation, Stockholm (2016); Index–The Swedish Contemporary Art Foundation, Stockholm (2016); Uppsala Konstmuseum, Uppsala (2015); and Fondazione Cini, Venice (2015). Frieberg’s works are included in private and public collections such as Moderna Museet, Stockholm, The National Public Art Council Sweden, and the Aguélimuseet, Sala.
Scan the QR Code via WeChat to follow Ocula's official account.