About La Patinoire Royale – galerie Valérie Bach

After much renovation, La Patinoire Royale – galerie Valérie Bach reopened its gates in September 2012. First, under the glass roof on the Faider Street side. Then in the different spaces of the former royal skating rink, including: the great nave, the street level, and the first floor on the Veydt street side in April 2015. This cultural and commercial room aims to present group and solo shows of artists from various nationalities and generations in a program that's simultaneous and yet diverse.

Alternating solo exhibitions of emerging and established artists, while rediscovering the modern era through retrospectives of a more historical perspective, the gallery makes the most of the monumental and modular space of this historical monument ideally located in the heart of the European capital.

Image courtesy La Patinoire Royale – galerie Valérie Bach.

Exhibition view: Group Exhibition, Ce mouvement qui déplace les lignes, la Patinoire Royale – galerie Valérie Bach, Brussels (26 May–29 August 2020). Courtesy La Patinoire Royale – galerie Valérie Bach.

Contemporary art exhibition, Group Exhibition, Ce mouvement qui déplace les lignes at La Patinoire Royale – galerie Valérie Bach, Brussels

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26 May–29 August 2020 Group Exhibition Ce mouvement qui déplace les lignes

Contemporary art exhibition, Alice Anderson, SACRED GESTURES IN DATA WORLDS at La Patinoire Royale – galerie Valérie Bach, Brussels

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8 January–7 March 2020 Alice Anderson SACRED GESTURES IN DATA WORLDS

Contemporary art exhibition, Group Exhibition, American Women: The Infinite Journey at La Patinoire Royale – galerie Valérie Bach, Brussels

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8 January–21 March 2020 Group Exhibition American Women: The Infinite Journey

Nudo 16 (bronce) by Olga de Amaral contemporary artwork

Olga de Amaral Nudo 16 (bronce), 2014Linen, gesso and acrylic paint
290 x 25 cm Contact Gallery

Núcleo 3 by Olga de Amaral contemporary artwork

Olga de Amaral Núcleo 3, 2015Linen, gesso, gold leaf, silver leaf and acrylic paint
130 x 125 cm Contact Gallery

Fósil 2 by Olga de Amaral contemporary artwork

Olga de Amaral Fósil 2, 2015Linen, gesso, gold leaf, acrylic paint
150 x 35 cm Contact Gallery

Estela 35 by Olga de Amaral contemporary artwork

Olga de Amaral Estela 35, 2007Linen, gesso, gold leaf, and acrylic paint
170 x 85 cm Contact Gallery

Nébula 7 by Olga de Amaral contemporary artwork

Olga de Amaral Nébula 7, 2015Japanese paper, linen, gesso, gold leaf, acrylic paint
80 x 80 cm Contact Gallery

Nébula 5 by Olga de Amaral contemporary artwork

Olga de Amaral Nébula 5, 2015Japanese paper, linen, gesso, gold leaf, and acrylic paint
80 x 80 cm Contact Gallery

Bruma R by Olga de Amaral contemporary artwork

Olga de Amaral Bruma R, 2014Linen, gesso and acrylic paint
190 x 90 cm Contact Gallery

Bruma P by Olga de Amaral contemporary artwork

Olga de Amaral Bruma P, 2014Linen, gesso and acrylic paint
190 x 90 cm Contact Gallery

Museum of Fine Arts, Houston Announces 7 Site-Specific Installations

The artists are El Anatsui, Byung Hoon Choi, Carlos Cruz-Diez, Olafur Eliasson, Trenton Doyle Hancock, Cristina Iglesias and Ai Weiwei, and they were commissioned to create a mix of sculptures, light installations and suspended artworks for the 14-acre premises, known as the Susan and Fayez S. Sarofim Campus.

Finding Joy in an Artist’s Swimming Pool

EDINBURGH — At the Venice Architecture Biennale in 2016, one country's pavilion stood out. Presented by Aileen Sage Architects, the insightful and enjoyable offering from Australia was dedicated, as the blurb on the wall stated, to 'a bridge between people... a well-known public space, where the personal and the communal intersect': the...

In memoriam: Carlos Cruz-Diez (1923-2019)

Born in Caracas in 1923, Carlos Cruz-Diez discovered a love of drawing as a child, enrolling at age 17 at the city's School of Fine Art, where his peers included Jesús Rafael Soto and Alejandro Otero, who alongside Cruz-Diez would become the foremost Venezuelan artists of the 20th century.

Carlos Cruz-Diez, whose vibrating polychromatic abstractions plumbed the atmospheric and phenomenological effects of color, died in Paris on Saturday at age ninety-five. Born in 1923 in Caracas, Cruz-Diez enrolled at the city's School of Plastic and Applied Arts in 1940.