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Lehmann Maupin
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Lehmann Maupin In Press Archive

The Body in Lee Bul’s Oeuvre: an Opaque Shell Related Press The Body in Lee Bul’s Oeuvre: an Opaque Shell 17 February 2020, The Artro

The 1990's, the last decade before the new millennium, was a turbulent period, surpassing any other turn of the century in terms of major upheavals. Large changes occurred across the board, at all lev

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10 Hong Kong Art Exhibitions To See In November 2019 Related Press 10 Hong Kong Art Exhibitions To See In November 2019 5 November 2019, Hong Kong Tatler

Sinuous sculptures crafted from steel, post-WWII abstract paintings and celebrity portraits by Annie Leibovitz are just a few of the highlights of this month's exhibitions

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‘An Awareness of Disappearance’: an Interview with Poet, Activist and Artist Cecilia Vicuña Related Press ‘An Awareness of Disappearance’: an Interview with Poet, Activist and Artist Cecilia Vicuña 29 October 2019, Frieze

Caoimhín Mac Giolla Léith: How would you describe the relationship between your art-making, writing and activism? Has it changed over the years? Cecilia Vicuña: It's a relationship that keep

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LOOSE CANON Related Press LOOSE CANON 21 October 2019, ARTFORUM

IN JUNE, NEW YORK'S MUSEUM OF MODERN ART WENT DARK to put the finishing touches on its contentious five-year expansion, which promised to put $450 million and 47,000 square feet of Diller Scofidio + R

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Simone Leigh, Wangechi Mutu, Kehinde Wiley, and Vinnie Bagwell In the Running for New Central Park Memorial Related Press Simone Leigh, Wangechi Mutu, Kehinde Wiley, and Vinnie Bagwell In the Running for New Central Park Memorial 3 October 2019, Hyperallergic

J. Marion Sims, sometimes referred to as the 'father of modern gynecology,' was a 19th-century doctor who conducted brutal, nonconsensual experimental surgeries on enslaved Black women without using a

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Lari Pittman on Modernist Interiors, Spanish Metaphors, and Polymorphous Paintings Related Press Lari Pittman on Modernist Interiors, Spanish Metaphors, and Polymorphous Paintings 1 October 2019, Art in America

When you are faced with the full-frontal blitz of a Lari Pittman painting, one of many possible impulses is to take inventory. Among the recognizable images, you might find an owl, an egg, and several

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Wangechi Mutu Adorns the Met Museum’s Façade With Images of African Queendom Related Press Wangechi Mutu Adorns the Met Museum’s Façade With Images of African Queendom 9 September 2019, Hyperallergic

For the first time in 117 years, sculptures occupy the erstwhile empty niches of the Metropolitan Museum of Art's exterior. Wangechi Mutu has introduced her quartet of magisterial bronze statues to th

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When the Arts Resist Imperialism Related Press When the Arts Resist Imperialism 7 September 2019, Hyperallergic

A resplendent display of 272 fuchsia-colored paper lotus lanterns adorns the light-filled oculus on The Rubin Museum of Art's top floor. The sweeping circular installation, Lotus: Zone of Zero (2019

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LARI PITTMAN with Terry R. Myers Related Press LARI PITTMAN with Terry R. Myers 5 September 2019, The Brooklyn Rail

On the occasion of his major retrospective exhibition Declaration of Independence at the Hammer Museum in Los Angeles, critic and independent curator Terry R. Myers spoke with artist Lari Pittman in

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LOS ANGELES DREAMING Related Press LOS ANGELES DREAMING 3 September 2019, The New Yorker

Alex Prager was born in the bedroom of her grandmother's house, in the Los Feliz neighborhood of Los Angeles, in 1979. She had an upbringing with few rules and little structure. At fourteen, she spen

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McArthur Binion at Lehmann Maupin and Massimo de Carlo Gallery, HK Related Press McArthur Binion at Lehmann Maupin and Massimo de Carlo Gallery, HK 15 August 2019, post-ism

After decades of being overlooked, it's fair to say that 73-year-old American artist McArthur Binion is having a moment. With a spate of recent exhibitions, notably his inclusion in the 2017 Venice Bi

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Mandy El-Sayegh Related Press Mandy El-Sayegh 14 August 2019, Artomity

Somewhere between dizzying grids, newspaper clippings and a xeroxed copy of a page from a Chinese colouring book is Mandy El-Sayegh's subjectivity. Or was: as the artist says, her subjectivity is a pr

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25 QUESTIONS WITH MANDY EL SAYEGH Related Press 25 QUESTIONS WITH MANDY EL SAYEGH 1 August 2019, CURA.

1) Hoarding or collecting? More hoarding—I see collecting as a controlled, conscious, more discerning thing. That's not to say that what I accumulate doesn't have its specificities, more that t

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Making up for the past – the artists filling in the blanks in our collective memory Related Press Making up for the past – the artists filling in the blanks in our collective memory 20 July 2019, Apollo Magazine

In the first week of June, Britain and France played host to a vast spectacle on the 75th anniversary of D-Day. The commemoration events, tracing the timetable of the Normandy landings as they unfolde

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On Monstering: 'My Head Is a Haunted House' at Sadie Coles HQ and 'Dracula’s Wedding' at Rodeo, London—Curated by Charlie Fox Related Press On Monstering: 'My Head Is a Haunted House' at Sadie Coles HQ and 'Dracula’s Wedding' at Rodeo, London—Curated by Charlie Fox 1 July 2019, Mousse Magazine

Disorientingly familiar, the entrance of My Head Is a Haunted House is covered with a Twin Peaks –esque Red Room floor vinyl that grounds whatever happens there in another dimension. But in contras

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Art in the dark: Dark Mofo Related Press Art in the dark: Dark Mofo 17 June 2019, Art Guide Australia

Now in its seventh year, Dark Mofo transforms Hobart into a red-hued spectacle of art, food and music. In addition to new Mona exhibitions Mine by Simon Denny, Siloam, Gorillas in Our Midst, and K

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Too Big for a Booth? Art Basel Still Has Room for Your Art Related Press Too Big for a Booth? Art Basel Still Has Room for Your Art 11 June 2019, The New York Times

Since it was begun in 2000, Unlimited, which is offered only at the fair in Basel, has proved to be a particularly popular draw. Most people attending the fair–there were 95,000 last year–are expect

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Hong Kong pavilion at Venice Biennale closes amid extradition bill protests Related Press Hong Kong pavilion at Venice Biennale closes amid extradition bill protests 11 June 2019, South China Morning Post

According to a photo posted on Facebook by Christina Li, guest curator of artist Shirley Tse's exhibition at the pavilion, a notice in English and Italian at the entrance reads: 'Due to unforeseen cir

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Preview Art Basel 2019 Related Press Preview Art Basel 2019 7 June 2019, ARTnews

Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will show work at the Swiss fair, which runs through June 16.

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Tony Oursler: Exploring Technology's Dark Arts Related Press Tony Oursler: Exploring Technology's Dark Arts 30 May 2019, The East Hampton Star

For this exhibition, he has been thinking about water and how it has functioned as a vehicle for magical thinking throughout history, from the belief in sea monsters and other early legends to the pse

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Venice Biennale empowers women, diversity Related Press Venice Biennale empowers women, diversity 12 May 2019, Korea Times

This year, all Koreans at the Venice Biennale are women. The Korean Pavilion is curated by Kim Hyun-jin and three participating artists Jung Eun-young, also known as siren eun young jung, Jane Jin Kai

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Critics’ Picks: Mandy El-Sayegh Related Press Critics’ Picks: Mandy El-Sayegh 1 May 2019, Artforum

Cite Your Sources, directs Mandy El-Sayegh’s first institutional solo show in London. Okay. Eva Hesse, Robert Rauschenberg, Alberto Burri, the canonical history might ring, as you take in the artist

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Cite Your Sources: Mandy El-Sayegh Related Press Cite Your Sources: Mandy El-Sayegh 1 May 2019, ArtAsiaPacific

Cite Your Sources, the title of Mandy el-Sayegh’s first solo show in the United Kingdom, presented by London’s Chisenhale Gallery, is a quote from the artist’s former tutor. It nods to the idea that

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Kader Attia’s Work Holds a Mirror to the World’s Injustice Related Press Kader Attia’s Work Holds a Mirror to the World’s Injustice 16 April 2019, Hyperallergic

LONDON — A cluster of snails are glued, like barnacles on a ship, to a disused metal post, which stands in a field of dry grass, a shabby apartment block looming in the background. In the photograph,

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