Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
Ocula Conversation Andrew Stahl and Guo Xiaohui The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Sean Snyder takes the global circulation of information as the operating ground for his work. His videos, texts and images data presented in the form of installations or publications, are the material evidence of a systematic research into the intrinsic codes of technologically produced and processed imagery as well as overt montage and propaganda techniques, exploring ideas of accessibility, transparency and the manipulation of information.
Snyder draws his material from a variety of sources, being official news channels, information databanks, press agencies such as Reuters, The Associated Press, Governmental bodies as well as personal homepages, digital and material archives and clandestine websites. Through case studies, which have examined the world of urban planning, architecture and the news media, Snyder retraces the strange and often surprising shifts in meaning that information undergoes in the process of translation from one ideological system to another, while avoiding any definitive interpretation.
Sean Snyder lives and works in Berlin and Kiev.
