How should net art be classified, historicised, and exhibited, when time has elapsed between its initial production and its latter presentation? On view at the New Museum from 22 January to 26 May 2019, The Art Happens Here: Net Art's Archival Poetics presents 16 seminal artworks from Net Art Anthology, an ambitious two-year initiative undertaken...
Times Art Center Berlin is a non-profit art institution located in the Potsdamer Strasse Art District of Berlin. It was founded in July 2018 by the Guangdong Times Museum, a non-profit private art museum in the Pearl River Delta (PRD) region of China, making this the first parallel institution founded overseas by an Asia-based art museum. Its...
'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...
Michael Craig-Martin, Self Portrait (Purple) (2007). © Michael Craig-Martin. Courtesy of the artist and Gagosian. Image via the Guardian.
Portraiture is an enduring art form, thanks to the narcissistic tendencies of the human race.
Julian Opie is an internationally renowned artist of the New British Sculpture movement. Born in 1958 in London, Opie studied at Goldsmith’s School of Art under conceptual artist Michael Craig-Martin. Julian Opie continues to live and work in London.
Opie works in a variety of media including sculpture, painted aluminium, vinyl, and inkjet on canvas. His thick black outlines and simplified blocks of colour are reminiscent of Japanese woodblock prints, Pop Art, and minimalism. Opie’s painted metal sculptures gained international recognition due to their highly stylized nature and their utilisation of basic line and negative space. His work is characterised by his ability to create simplified figures that remain uniquely recognisable.
Opie has undertaken many public commissions including works at the City Hall Park, New York (2004), the Mori Building, Omotesando Hill, Japan (2006), River Vitava, Prague (2007), Dublin City Gallery, Ireland (2008), Seoul Square, South Korea (2009), Regent’s Place, London (2011), and Calgary, Canada (2012).
Opie designed the album cover for Best of Blur by British band Blur in 2000 for which he was presented with a Music Week CADS Award the following year. He was earlier awarded the Sargent Fellowship at the British School in Rome in 1995. Opie’s work is held in collections at the National Portrait Gallery, London, the Tate, London, the Museum of Modern Art, New York, and the Victoria & Albert Museum, London.
Leading British painter Michael Craig-Martin was born in Dublin in 1941 and moved to the United States as a boy. He went on to study fine art at Yale before returning across the Atlantic to teach. At Goldsmiths College he influenced what would become known as the Young British Artists while developing his own works, which include super flat line...
The secluded London studio of Shirazeh Houshiary foxes my Uber driver entirely. But I shouldn't be surprised that the Iranian-born artist is off-grid. Among a heap of volumes that litter her studio floor is Reality is Not What it Seems by Carlo Rovelli, the quantum physicist whose luminous texts explain why Newtonian laws of space and time can only...
Last week, after reading the interview 'Have Aliens Found Us?' between the writer Isaac Chotiner and Avi Loeb, the chair of Harvard's astronomy department, in The New Yorker, I thought about Susan. She would have liked it, I imagined, because it discusses the fact that all the images of Oumuamua – an interstellar and possibly alien object detected...
In the opening image of John Akomfrah's Mimesis: African Soldier (2018), we are confronted by a row of black and brown faces who smile nervously and knowingly into the camera. They represent the faces we seldom see in war documentaries or history books; their smiles evoke a quiet sense of unease and foreboding. Once the colonial subjects of empire,...
For centuries, artists and philosophers have theorised about the relationship between private and public space, materially and conceptually. In Henri Lefebvre's Critique of Everyday Life (1947), he discusses the relationship between personal and private life as an 'interconnectedness', where our internal and external lives mutually inform one...