'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...
The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...
On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...
Looking out over Lake Zurich, artist Christian Jankowski discusses his Joint Ventures curatorial concept for Manifesta11. The 11th edition of the 'European biennial' Manifesta will be on display until 18 September 2016.
In one thematic body of work, Jankowski explores the unique relationship between the artist, the gallery as "institution" and the viewer, which he refers to as a "magic circle".
Presented as a trilogy of video pieces comprising My Life As A Dove, Director Poodle, and Flock, each piece uses magic to transform various human participants into animals.
For My Life as a Dove, Jankowski collaborated with a magician who transformed him into a dove for a duration of three weeks. The message from the magician to the audience was "You're standing in front of Christian's transformation into a dove...be kind to him...and remember that a real artist may sometimes be inscrutable, but a true person as well." Visitors to the exhibition responded to Jankowski as dove, feeding him, taking his photograph, making video documentation, and keeping an ongoing journal of his activities.
In Director Poodle, Jankowski convinces a museum director to subject himself to his magic, allowing the curator to choose the kind of animal he would like to become. The result is his miraculous transformation into a boisterous white poodle.
And Flock (2002), where 12 gallery visitors were turned into sheep and remained in this state while they viewed the other artworks on display.
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.