An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
Looking out over Lake Zurich, artist Christian Jankowski discusses his Joint Ventures curatorial concept for Manifesta11. The 11th edition of the 'European biennial' Manifesta will be on display until 18 September 2016.
In one thematic body of work, Jankowski explores the unique relationship between the artist, the gallery as "institution" and the viewer, which he refers to as a "magic circle".
Presented as a trilogy of video pieces comprising My Life As A Dove, Director Poodle, and Flock, each piece uses magic to transform various human participants into animals.
For My Life as a Dove, Jankowski collaborated with a magician who transformed him into a dove for a duration of three weeks. The message from the magician to the audience was "You're standing in front of Christian's transformation into a dove...be kind to him...and remember that a real artist may sometimes be inscrutable, but a true person as well." Visitors to the exhibition responded to Jankowski as dove, feeding him, taking his photograph, making video documentation, and keeping an ongoing journal of his activities.
In Director Poodle, Jankowski convinces a museum director to subject himself to his magic, allowing the curator to choose the kind of animal he would like to become. The result is his miraculous transformation into a boisterous white poodle.
And Flock (2002), where 12 gallery visitors were turned into sheep and remained in this state while they viewed the other artworks on display.
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.