Nick Relph Biography

In 2019, Relph will have a solo exhibition at Le Consortium, Dijon. Recent solo shows include: Bonner Kunstverein, Bonn (2017); Gavin Brown's enterprise, New York (2016); Herald St, London (2016); Standard, Oslo (2015); Aspen Art Museum, Aspen (2014); The Kitchen, New York (2014); Tate St Ives, St Ives (2013); Tomorrow There Is No Recording, Chisenhale Gallery, London (2013); Banner Project, Tate Britain, London (2012); Frieze Foundation Commission, Frieze Art Fair, London (2010); Whitechapel Gallery, London (2009) and The Serpentine Gallery, London (2005).

Group exhibitions include: Fiction & Fabrication. Photography of Architecture after the Digital Turn, Museum of Art, Architecture and Technology, Lisbon (2019); Working/Not Working, organised by Matt Connors, CANADA, New York (2017); Takashi Murakami's Superflat Collection–From Shohaku and Rosanjin to Anselm Kiefer, Yokohama Museum of Art, Yokohama (2016); Greater New York, MoMA PS1, New York (2015); The Universal Addressability of Dumb Things, curated by Mark Leckey, Hayward Touring: The Blue Coat, Liverpool (2013); Nottingham Contemporary, Nottingham and De la Warr Pavilion, Bexhill on Sea (2013); White Petals Surround Your Yellow Hearts, Institute of Contemporary Art, Philadelphia (2013); Why is Everything the Same?, Shoot the Lobster, New York (2013); Do Your Thing, White Columns, New York (2012); How To Look At Everything, The Common Guild, Glasgow (2012); ILLUMInations, curated by Bice Curiger, 54^th Venice Biennale, Venice (2011); Modify as Needed, Museum of Contemporary Art, Miami (2011); BOMBlog Presents: Sound + Vision, The Kitchen, New York (2011).

Relph's work is part of the collections of the Whitney Museum of American Art, New York; Museum of Modern Art, New York; Centre Georges Pompidou, Paris; and Tate, London.

Text courtesy Herald St.