Miles McEnery Gallery

Shortly after my review of Amy Bennett's exhibition at Miles McEnery Gallery appeared on the Hyperallergic Weekend, I got an email from Mollye Miller, who, I later learned, is a photographer and poet living in Baltimore. In fact, she and I were published in the same little magazine, Prelude, edited by Stu Watson, but not in the same issue. But all...

For more than a decade, Amy Bennett has been building a loyal following for her highly detailed views of a fictional world that resembles our own. She is an observational painter who works from models that she painstakingly constructs. For one group of paintings, Bennett transformed an 8-foot-square of Styrofoam into a lush green landscape that...

There have always been multiple entry points for viewers to come to terms with John Sonsini's bravura portraits of single or multiple male subjects, most of whom are Mexican day laborers, and 'the age of Trump' has unexpectedly provided us with yet another.

D’emblée, on est hypnotisé par les teintes acides et fruitées de Guy Yanai. Le peintre, né en 1977 en Israël, a fréquenté aussi bien la Parsons The New School for Design de New York que l’École d’art de Pont-Aven en France. En ressortent une galerie d’images aux formes géométriques et colorées, de larges mosaïques où les couches épaisses de...

Judy Pfaff's recent show featured five major wall reliefs (all 2018) that resemble discrete exhibitions unto themselves. The series is titled 'Quartet,' with works numbered one through four and a fifth designated Quartet + 1.

Inka Essenhigh — to suggest an artist who exemplifies this more open attitude — seems like many of her generation, immune to anxieties related to fusing abstraction with figuration. But her inaugural exhibition at Miles McEnery this spring reveals an even greater level of freedom and invention, a freedom that resonates unapologetically with all...

Robert Minervini: Until Tomorrow Comes | A site-specific exhibition of nine interrelated large-scale paintings intended to be viewed and considered as a single, continuous panoramic landscape.

The size of Monique Van Genderen's paintings on linen and aluminum panel dwarf visitors to her exhibition at Susanne Vielmetter Los Angeles Projects in Culver City.

On the same block where Bo Bartlett’s first solo exhibition in New York opened 35 years ago, Ameringer | McEnery | Yohe is giving audiences a sneak peek into the much anticipated Bo Bartlett Center, set to open in Columbus, Georgia next fall. Journals, preparatory drawings, and palettes piled high with miniature cliffs of oil paint are just a...

Tonight, Julio Larraz opens his first solo exhibition at the Chelsea gallery Ameringer McEnery Yohe. In a conversation with Cuban Art News publisher Howard Farber, he spoke about his art, his influences, and what he’d like viewers to take away from their encounter with his images.

Appearing like pixilated images, brightly coloured weavings or even needlepoint, Guy Yanai's oil on linen paintings depict simplified interpretations of the everyday painted in meticulously applied strokes of colour. From pot plants to sail boats, the artist paints ordinary still life subjects and sun-soaked landscapes but in a way that makes them...