French gallerist Almine Rech-Picasso opened her first space in Asia on Shanghai's historic Bund in July this year, bringing her eponymous gallery's total locations to five. The Shanghai gallery occupies roughly 4,000 square feet on the second floor of the three-storey Amber Building, a beautiful warehouse space, originally occupied by the Central...
There's an inside joke amongst the team of Ashkal Alwan, The Lebanese Association for Plastic Arts: that every time an edition of its biennial forum on cultural practices is planned, a national crisis happens. The eighth edition of Home Works was no different: it opened on 17 October amidst the most devastating wildfires that Lebanon had witnessed...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Parafin is delighted to announce its first exhibition with the iconic British walking artist Hamish Fulton. The exhibition takes as its starting point the important walk the artist made over 47 days in 1973 from Duncansby Head to Land's End–here presented as a large-scale wall text. After this major walk Fulton made the radical decision to 'only make art resulting from the experience of individual walks'. Since then Fulton has rigorously maintained this focus, using walking as his medium and stating 'If I don't walk, I can't make art'. Although only Fulton experiences his solitary walks directly, the works he presents in exhibitions and books allow us to engage with them.
Fulton has consistently argued that walking can be considered an important artform in its own right, and has pushed for wider recognition of the aesthetic and conceptual possibilities of walking as art. Through his work he highlights not only the artistic possibilities of walking but its ongoing history and importance as a means of transport, a way of connecting communities and a spiritual tool. It is also a traditional means of protest and Fulton has made work that is vocal in its support of environmental issues as well as the plight of Australian Aborigines, Native American Indians and the people of Tibet. The exhibition includes works made between 1973 and now and encompasses the range of media Fulton uses to communicate his experiences, including printed texts, photographs, wall paintings and what he calls 'walk texts on wood'. Using humble materials and adopting the wilderness ethos of 'leave no trace', Fulton's work attempts an alignment with nature without exploiting or altering it. Fulton's work, which directly addresses our relationship with nature, questions of environmental jeopardy and important causes such as the Chinese occupation of Tibet, has become more and more vital with every passing year.
Hamish Fulton (born London, 1946) is a walking artist. Fulton first came to international attention in the late 1960s and early 1970s as one of a key generation of British artists, including Richard Long, Gilbert & George, Bruce McLean, Keith Arnatt and Art + Language, who were exploring new forms of art. He was included in important early exhibitions of Conceptual Art, including Konzeption - Conception, Staadtisches Museum, Leverkusen (1969), Conceptual Art, Arte Povera, Land Art, Galleria Civica d'Arte Moderna, Turin (1970), Information, Museum of Modern Art, New York (1970), Documenta V, Kassel (1972) and The New Art, Hayward Gallery, London (1972). Since then Fulton has exhibited extensively around the world. Major retrospectives have been presented at the Stedelijk Van Abbemuseum, Eindhoven (1985), Fruitmarket Gallery, Edinburgh (1985), Albright-Knox Art Gallery Buffalo (1990), National Galley of Canada, Ottowa (1990), Serpentine Gallery, London (1991), IVAM, Valencia (1992) and Tate Britain (2002). Notable recent group exhibitions include Ends of the Earth, Museum of Contemporary Art, Los Angeles and Haus der Kunst Munich (2012) and Excitement, Stedelijk Museum, Amsterdam (2016). Recent solo exhibitions include Turner Contemporary, Margate (2012), Ikon Gallery, Birmingham (2012) and Bombas Gens, Valencia (2018).
His work is held in many major museum collections including Tate, London, the Museum of Modern Art, New York, the Solomon R. Guggenheim Museum, New York, Metropolitan Museum, Tokyo, Australian National Gallery, Canberra, Kunstmuseum, Basel and the Stedelijk Museum, Amsterdam.
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