An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
Parafin is pleased to announce an exhibition of new work by Lithuanian artist Indrė Šerpytytė, her second at the gallery.
This exhibition coincides with When the Golden Sun Sinks, a solo display of newly commissioned works at Rugby Art Gallery and Museum. At Parafin, Šerpytytė will show a series of new textile works for the first time in London.
At the core of Šerpytytė's practice lies an interest in conflict and its accompanying trauma. Working across photography, sculpture and mixed media, much of her previous work centres on the recent history of Lithuania, how it is recalled and its influence on national identity. However, these new works step away from such specificity, instead exploring the use of culturally charged symbols as an abstract language: a form of communication that traces a universal discourse.
In the series 'From.Between.To', Šerpytytė employs ceremonial sashes specific to the Baltic region, overlapping and layering them across canvas stretchers. Using traditional materials, these works trace how the region's communities intersect; motifs from one country are legible in another and reveal a call and response between nations that share a narrative of conflict. She also looks at how the repetition–or rhythm–of these patterns might be understood as a wider visual language, one that can communicate between cultures or regions familiar with war. Just as linguistic forms of expression facilitate a communal purpose, so visual matter can be incorporated into a process of mutual understanding.
Away from the Baltic context the works also address a different history, that of international Modernism and in particular the development of abstraction and the concept of the Readymade. By weaving the sashes into complex grids on canvas stretchers Šerpytytė recalls the tropes of geometric abstraction. By using them unaltered, as Readymades, she both celebrates and deconstructs their historic meaning. Having initially begun the series working with traditional colour schemes–typically, reds, yellows, black and white–she now also collaborates with the weavers to produce the sashes in vibrant colours that recall the chromatic intensity of Pop and Op art, furthering the layered referentiality of the works.
Works from the series 'From.Between.To' are included in the major new Phaidon book Vitamin T, published in April.
Indrė Šerpytytė was born in Lithuania in 1983. She studied at the University of Brighton and the Royal College of Art, London. Šerpytytė's work has been exhibited internationally. Recent solo exhibitions include CAC, Vilnius (2017); Parafin, London (2016); Still House Group, New York (2016); the Museum of Contemporary Art, Krakow (2015); Ffotogallery, Cardiff (2013); and the Photographers Association, London (2011). Important recent group exhibitions include Memory Matters, Skissernas Museum, Lund (2018); Riga Biennial of Contemporary Art, Riga, Latvia (2018); Undersong, KIM?, Riga (2018); Daegu Photo Biennial, South Korea (2017); Age of Terror: Art after 9/11, Imperial War Museum, London (2018); Ocean of Images: New Photography 2015, Museum of Modern Art, New York (2015); Conflict, Time, Photography, Tate Modern, London (2014) and Museum Folkwang, Essen (2014–2015); and the National Gallery, Vilnius (2013). In 2018, Šerpytytė was awarded the Grain Photography Hub Commission and will exhibit at the Rugby Art Gallery and Museum in May 2019.
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