In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...
Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...
China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...
Allegory of the Internet, photo: Ian Willoughby.
I have the impression that in the Czech Republic education is more classically based than in some other European countries. For example, when it comes to literature, people learn the classics, they know what's what. Is it similar with the teaching of art in the Czech Republic, say compared to here in the UK?
Ten or 15 years ago, when I was at the Academy [of Fine Arts in Prague], I would be trained extremely classically. But I'm not quite sure how it is there now; I think it's changed. But you are right, Eastern European artists have a reputation for having craft first and then the ideas behind the work. I think that's why we could be quite attractive here, because we have something else.
Hynek Martinec's paintings and drawings explore ideas about time, history, reality and spirituality, often appropriating imagery from vintage photographs and the Old Masters.
Martinec's recent paintings are grisaille still lifes that play with the archetypes of the devotional picture and the vanitas. For example, both Every Minute You Are Closer to Death (2013) and Experience of Being Alive (2014) are still lifes in the tradition of the Dutch masters of the genre, yet contain contemporary objects from the twenty first century, a digital radio and a tablet computer displaying Damien Hirst's grinning diamond skull. You Will Become As My God (2013) depicts a complex still life before a vague interior space. The composition includes not only flowers, bread and a crab, but a party balloon. The whole is distorted with shaving foam and pierced by an arrow like a strange St Sebastian. The setting is an abandoned dancehall.
Martinec uses religious symbolism as he feels that in the twenty first century religion is still a pervasive part of our daily lives. It surrounds us and permeates throughout society, a fact of life whether we choose to partake or reject. However, there is also a powerful sense that in his work Martinec is pushing beyond the surface of things, perceiving meanings and interconnections that locate profundity in mundane reality. His intense contemplation of the world through which he moves seems to allow him to perceive a spiritual life like a shadow behind everyday reality.
Alongside the still lifes are new works are derived from vintage portrait photographs. The original images of anonymous sitters are rendered in Martinec's characteristic monochrome photorealist technique but are enlarged to the scale of traditional grand portraiture in the manner of Van Dyck or Rubens. In each painting Martinec has made subtle alterations, such as shifts in scale, as well as making telling interventions. In The Dog Knows (2015-16) a small flame flickers in the air above the head of the hound, suggesting a state of enlightenment in contrast to his self-important but gormless owner. In Good Afternoon Mr Martinec (2016), which Martinec relates to his own family, each person is granted an attribute—mushroom, apple, planet and, again, a flame of enlightenment—suggesting different qualities. The youngest member of the family—perhaps a cypher for the artist himself—clutches a massively enlarged paintbrush.
Hynek Martinec (born Broumov, Czech Republic, 1980) has exhibited internationally. Recent solo exhibitions include Every Minute You Are Closer to Death, Parafin, London (2014) and Intellectual Properties, Vaclav Spala Gallery, Prague (2015). Important recent group exhibitions include Blow Up: Painting, Photography and Reality, Parafin, London (2015), the John Moores Painting Prize 2014 at the Walker Art Gallery, Liverpool, as part of the Liverpool Biennial (2014), Beyond Reality: British Painting Today at the Galerie Rudolfinium, Prague (2012) and the Prague Biennial (2009). He was included in the BP Portrait Prize exhibition at the National Portrait Gallery, London in 2007, 2009 and 2013, winning the Young Artist award in 2007. Martinec's work is in private and public collections internationally including the National Gallery, Prague and the British Museum, London. Martinec lives and works in London. In 2017 he will have a major solo exhibition at the National Gallery in Prague.
COPENHAGEN — Outside Denmark's Louisiana Museum of Modern Art on a recent late-summer morning, a few sunstruck visitors were sprawling on the turf of the sculpture garden, between monumental outdoor works by Alexander Calder and Richard Serra.
This week gave me a chance to consider human intervention in our environment. If Sondra Perry’s opening at the Serpentine uses digital tools to make our dark history extremely contemporary, Open Space Contemporary’s Adventitious Encounters exploits its location to explore our desire for nature in a technologically saturated world. The former...
The newly formed Holt-Smithson Foundation has made its first move to secure the legacy of the pioneering land artist Nancy Holt (1938–2014), better known for safeguarding the work of her husband, Robert Smithson, after he died in 1973 than for promoting her own.
Drawing on the legacies of two artists whose lives and work were intertwined, the new Holt-Smithson Foundation has been established to honour Nancy Holt and Robert Smithson and promulgate their ideas.
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