Takashi Murakami, who has a PhD in Nihonga painting, combines the most cutting-edge techniques with the precision and virtuosity of traditional Japanese art. Inspired by manga and kawaii culture, his irresistible world is peopled by monstrous and charming characters alike, as facetious descendants of past myths. His theory of the Superflat aesthetic, which he introduced in 2001 with the trilogy exhibition he curated (the third part was entitled Little Boy, which refers to the codename for the atomic bomb dropped on Hiroshima in 1945), attempts to blur the boundaries between popular art and high art; it has explored the evolution of Japan's understanding of its post-Hiroshima condition and the interrelationships between vanguard art, manga, anime and their forerunner, Ukiyo-e woodblock prints. The absence of perspective, the two-dimensionality of ancient Japanese art, filters in to every medium.Read More
Since his first monographic exhibition outside Japan in 1995 at Galerie Perrotin, Murakami has become recognised as one of the most prominent contemporary artists of his time, and his work has been featured in numerous solo exhibitions at museums and art institutions throughout the world.
Text courtesy Perrotin.
As Seoul cements itself as one of the world's most attractive art hubs, Kiaf Seoul celebrates its 20th anniversary edition.
The result bettered their sales in the first half of 2019 by a quarter.
Art gallery Xavier Hufkens said the painting testifies to a preoccupation with sexuality, pregnancy, motherhood, and the cycles of life.
Celebrations include projections on the Sydney Opera House, an Archibald Prize retrospective, and the Sydney Modern Project expansion.
Takashi Murakami in Wonderland was Murakami's first solo show in mainland China and Perrotin's second exhibition in its posh 1,200-square-meter Shanghai space. According to Perrotin's press release,
In November 2018, Perrotin debuted its fourth gallery in Asia in the heart of Shanghai. The space was inaugurated with the exhibition Takashi Murakami in Wonderland, on view through January 5. Ju
In 1980, when the Japanese artist Takashi Murakami was 17 years old, he saw the anime movie Galaxy Express 999, about a boy finding his way as an astral traveler. 'It was like my spirit was flown aw
It seems that Vancouver has been rather superflattened by the arrival of Takashi Murakami – or at the very least supercharged. The Japanese international art world star arrived in town to open his re
Akiko Miki, International Artistic Director of the Benesse Art Site in Naoshima, Japan, presents one of the most unconventional collector's stories in Japan, that of the artist Takashi Murakami, as we