With tens of millions in China confined to their homes, galleries and institutions have likewise pivoted to online events.

I'm very much a fan of the public institution. I think only the public institution can provide the long-term guarantee that it will continue to exist and it will be 'the' public memory.

In terms of Chinese video art, Zhang Peili is omnipresent: he’s celebrated as a pioneering practitioner, he teaches it as a professor at the China Academy of Art, and he’s instrumental in getting it shown as Director of OCAT Shanghai, the city’s leading art space for video. In September of this year, Zhang also curated a...

Doryun Chong is Chief Curator at M+, Hong Kong’s super museum for visual culture. Prior to joining M+, Chong was Associate Curator of Painting and Sculpture at the Museum of Modern Art (MoMA), New York, and prior to that, he was a curator in the visual arts department at Minneapolis’ Walker Art Center from 2003 to 2009. At MoMA, Chong...

Doryun Chong is Chief Curator at M+, Hong Kong’s super museum for visual culture. Prior to joining M+, Chong was Associate Curator of Painting and Sculpture at the Museum of Modern Art (MoMA), New York, and prior to that, he was a curator in the visual arts department at Minneapolis’ Walker Art Center from 2003 to 2009. At MoMA, Chong...

Asia Society recently played host to some of the most significant institutional figures in the art world, including Glenn D. Lowry (Director of The MoMA New York), Caroline Collier (Director, Tate Modern), Yuko Hasegawa (Chief Curator, Museum of Contemporary Art, Tokyo) and Lars Nittve (Executive Director, M+, Hong Kong).  These figures...