A self-proclaimed 'generic artist' and an 'image scavenger,' painter and feminist pioneer Ida Applebroog has spent the past five decades conducting a sustained inquiry into the polemics of human relations. She explores themes of violence and power, gender politics, women's sexuality and domestic space using images stylistically reminiscent of comics, at once beguiling and disturbing.
Read MoreApplebroog first came to attention in New York in the mid-1970s, formulating her practice with a series of small self-published books, Stagings of identical cartoon images presented in succession, evocative of flipbooks or film stills, which she mailed to other artists, writers and individuals. From this beginning, she developed an instantly recognisable style of simplified human forms with bold outlines. In an Applebroog exhibition, the visitor becomes an observer and a participant in a domestic drama where fragmented narrative scenes are neither beginnings nor ends to the story.
Text courtesy Hauser & Wirth.
