Drawing influence from popular music, fashion, literature, cultural and critical theory, and his own individual heritage, Jeffrey Gibson's work recontextualises the familiar to offer a succinct commentary on cultural hybridity and the assimilation of modernist artistic strategies within contemporary art. Gibson's Cherokee and Choctaw lineage has imparted a recognisable aesthetic to his beaded works exploring narrative deconstructions of both image and language as transmitted through figuration. Known for his reappropriation of both found and commercial commodities–ranging from song lyrics to the literal objecthood of Everlast punching bags–repurposed again through Minimalist and post-Minimalist aesthetics, speaks to the revisionist history of Modernist forms and techniques. The resulting sculptures and paintings seamlessly coalesce traditional Native American craft with contemporary cultural production and references, forming works that speak to the experience of an individual subjectivity within the larger narrative defining contemporary globalisation.
Text courtesy Roberts Projects.
The Canadian artist will also maintain ties with Galerie Eva Presenhuber, who are showing Shearer in Zurich this month.
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In 2018, artists and curators across the United States have been crafting brilliant exhibitions across the US, exploring themes of identity and community in innovative ways. Ebony G. Patterson made a
The past sometimes acts as a trap for contemporary Native American artists. Critics, myself included, will anticipate the readers’ questions by discussing a material or pattern in terms of its ties to