Hany Armanious has exhibited internationally for almost two decades. Most recently, he had a solo exhibition at the Contemporay Art Museum St Louis, USA, curated by Anthony Huberman (2008); a major solo survey exhibiton, Morphic Resonance, at the Institute of Modern Art, Brisbane, and City Gallery Wellington, curated by Robert Leonard (2006 & 2007). A substantial catalogue was produced to accompany the exhibition.Read More
In 2006, Armanious was included in the Busan Biennale in Korea, an international group exhibition Uncanny Nature at ACCA in Melbourne and Adventures with form in space, the Balnaves Foundation Sculpture Project, at the Art Gallery of New South Wales.
In 2001 Armanious had a solo exhibition at the UCLA Hammer Museum in Los Angeles. He won the Moet and Chandon Fellowship in 1998 with a sculptural group that consisted of a series of upturned wine glasses and coloured hotmelt casts and was shortlisted for Contempora 5 in 1997.
Armanious exhibited in the 1995 Johannesburg Biennale (curated by Kendall Geers), the 1992 Biennale of Sydney (curated by Tony Bond). In 1993 he was selected for the prestigious Aperto section of the Venice Biennale (curated by Achille Bonito Oliva). Armanious recently had his first solo commercial exhibition in New York which received a extremely positive review in the New York Times from Roberta Smith. A feature article soon followed in Frieze magazine.
Hany Armanious has been represented by Roslyn Oxley9 Gallery since 2003.
Text courtesy Roslyn Oxley9 Gallery.
The artist Hany Armanious, who represented Australia in 2011 at the Venice Biennale, is best known for creating sculptures through the method of casting with resin. The subjects of his casts are often everyday abandoned items we tend to overlook, his process transforming such objects into new constructions with possibly new meanings....
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