I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Hany Armanious has exhibited internationally for almost two decades. Most recently, he had a solo exhibition at the Contemporay Art Museum St Louis, USA, curated by Anthony Huberman (2008); a major solo survey exhibiton, Morphic Resonance, at the Institute of Modern Art, Brisbane, and City Gallery Wellington, curated by Robert Leonard (2006 & 2007). A substantial catalogue was produced to accompany the exhibition.
In 2006, Armanious was included in the Busan Biennale in Korea, an international group exhibition Uncanny Nature at ACCA in Melbourne and Adventures with form in space, the Balnaves Foundation Sculpture Project, at the Art Gallery of New South Wales.
In 2001 Armanious had a solo exhibition at the UCLA Hammer Museum in Los Angeles. He won the Moet and Chandon Fellowship in 1998 with a sculptural group that consisted of a series of upturned wine glasses and coloured hotmelt casts and was shortlisted for Contempora 5 in 1997.
Armanious exhibited in the 1995 Johannesburg Biennale (curated by Kendall Geers), the 1992 Biennale of Sydney (curated by Tony Bond). In 1993 he was selected for the prestigious Aperto section of the Venice Biennale (curated by Achille Bonito Oliva). Armanious recently had his first solo commercial exhibition in New York which received a extremely positive review in the New York Times from Roberta Smith. A feature article soon followed in Frieze magazine.
Hany Armanious has been represented by Roslyn Oxley9 Gallery since 2003.
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