I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Babak Golkar (b. Berkeley, U.S.A., 1977) spent most of his formative years in Tehran until 1996 when he moved to Canada. He obtained a Masters of Fine Arts from the University of British Columbia in 2006 and has exhibited in venues internationally since graduating. Selected solo exhibitions and presentations include The Exchange Project (La Collection Imaginaire), INCA, Seattle, U.S.A. (2016); Of Labour, Of Dirt, Sazmanab, Tehran, Iran (2014); Time To Let Go..., Vancouver Art Gallery: Offsite, Vancouver, Canada (2014); Dialectic of Failure, West Vancouver Museum, West Vancouver, Canada (2013); Parergon, Sharjah Contemporary Art Museum, Sharjah, U.A.E. (2012) and Mechanisms of Distortion, Victoria and Albert Museum, London, U.K. (2012).
Selected group exhibitions include Crisis of History - Beyond History, Framer Framed, Amsterdam, Netherlands (2015); Common Grounds, Museum Villa Stuck, Munich, Germany (2015); L'avenir, 9th La Biennale de Montréal, Musee d'art Contemporain de Montréal, Canada (2014); and Hajj, le pèlerinage à La Mecque, Institut du Monde Arabe, Paris, France (2014). Golkar works and resides in Vancouver.
Babak Golkar's statement
Through a variety of forms - including drawing, print, ceramics, sculpture and installation - Babak Golkar's subjects of research have emerged from his interest in spatial analysis in relation to contemporary human conditions. Golkar has generated a practice steeped in the juxtaposition of disparate traditions and by extension, new forms and meanings emerge from re-contextualization.
A driving force behind recent projects has been a contention of perspective. Skewing the asserted certainty of perspective and questioning its formal grounds for reference, as well as subsequent ideological viewpoints, Golkar engages a critical inquiry into cultural and socio-economic systems. Exploring the physical position of the body in relationship to form, physical points of reference and spacial relationships, Golkar subsequently echoes social, cultural, political states of mind in his work.
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