I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Sabrina Amrani is pleased to present XOXO, comet boy, the third solo exhibition of Timothy Hyunsoo Lee in the gallery.
The character of the comet boy was born out of Timothy’s frustration with his realisation that he, as an artist, was merely a vessel for production; life is short, everyone is meant to die; and ultimately, as a human he could not even breach the essence of spirituality–why we find wonder, emotions, beauty, and pain in this world. The comet boy emerges from this anxiety as a spiritual messiah that is autobiographical in nature but also universally relatable.
The works presented in XOXO, comet boy use the imagery of masks, and the process of masking and revealing, to narrate a story about the power structures that form an individual’s identity–that of sexuality, religion, and racial politics. As such, the concept of borders pervades the works. Literal borders, and borders of the mind, of the body, and of one’s comfort–all confine an individual to an identity they must either claim as their own or reject.
Ultimately, the comet boy is revealed to be a mask of the artist himself; bestowing personal and cultural traumas to a fictional character as a way of reinventing and re-narrating memories, lived experiences, and his own sense of identity. The comet boy is an investigator and instigator; he confronts the paradoxes of Lee’s life and, removed from having lived those experiences, objectively reassembles memories in an attempt to resolve the many conflicting hemispheres of thought contained within.
The character confronts the artist’s human anxieties–love, dreams, desires, and fears- from a more universal perspective: what do all these mortal concerns mean in the context of death? Once the inevitable and unidirectional trajectory of a life is realised, then borders cease to exist: borders on religion, identity, sexuality, borders of skin, of life, of migration. The comet boy is an ideal vehicle for the artist to explore and address these universal anxieties in this exhibition.
From 23rd to 26th February, Timothy Hyunsoo Lee will participate in the Open Studio festival, opening his studio to the public, professionals and collectors. Sabrina Amrani will also present works by Timothy Hyunsoo Lee at her booth in ARCOmadrid, and will offer an ARCOgallery Brunch Friday 1st March with the presence of the artist.
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