Born in Bangkok, Apichatpong grew up in Khon Kaen in north-eastern Thailand. He began making films and video shorts in 1994 and completed his first feature in 2000. He has also mounted exhibitions and installations in many countries since 1998 and is now recognised as a major international visual artist. Lyrical and often fascinatingly mysterious, his film works are non-linear, dealing with memory and in subtle ways invoking personal politics and social issues.Read More
Working independently of the Thai commercial film industry, he devotes himself into promoting experimental and independent film-making through his producing company Kick the Machine Films, founded in 1999, which also produces all his films. Apichatpong Weerasethakul is recognised as one of the most original voices in contemporary cinema. His previous six feature films, short films and installations have won him widespread international recognition and numerous awards, including two prizes from the Cannes Film Festival.
Text courtesy ShanghART.
Following his second Cannes Jury Prize for Memoria, starring Tilda Swinton, Apichatpong Weerasethakul traces a life so far in art and cinema.
The winning film, Memoria, was inspired by the filmmaker's experience of Exploding Head Syndrome.
The second Bangkok Art Biennale brings together 217 artworks by 82 artists from 35 different countries across 10 venues in the capital.
As Taipei Dangdai returns for its second edition, we list a selection of shows across the city.
Indie Thai filmmaker Apichatpong Weerasethakul has won the £40,000 Artes Mundi contemporary art prize. The judges said his film Invisibility was 'a powerful weapon in these turbulent times'. The 4
Apichatpong Weerasethakul's house in northern Thailand is a luscious jungle paradise full of polished concrete and teak, palm trees and bamboo. Even the air smells zen. The house's three gatekeepers,
On the Periphery of Vision, a group exhibition curated by Christopher Philips, features works in a variety of mediums including photography, painting, sculpture and film. On display is work by five
It's a strange thing to meet a stranger whose dreams you've dreamed. That's what it feels like to find myself sitting across from Apichatpong Weerasethakul one afternoon in the thick-carpeted quiet of