Yu Youhan is one of the main artists associated with 'Political Pop' aesthetics which emerged in the avant-garde movement in the 1990s, this unique style fused Chinese iconography with Western artistic expression. His work has had a major impact on the cultural scene as well as influenced and inspired a generation of younger artists. Yu Youhan's earlier work is directly influenced by his experiences during the Cultural Revolution, with prominent imagery of political propaganda and socialist realism. Before constructing this pictorial universe, he practiced an informal and materialist abstraction. His work unravels and reconstructs the meandering histories of diverse environments. As reflected in his pictures, Yu Youhan employs an aesthetic methodology that blends and exceeds seemingly contradictory visual traditions. He earned fame with his highly acclaimed Mao portrait series. He has decorated the iconic images with flowers that blend into the foreground and background. It is not only a decorative gesture, but also an attempt to humanise the late leader.Read More
Yu Youhan has recently shifted his artistic approach in search of a new paint language and subject matter. His latest work consists of landscape paintings that resemble pastorals of a forgotten utopia. Yu Youhan's extensive oeuvre combines multiple perspectives and investigates the structure of cultural identity in China through an ongoing exploration of various pictorial techniques. His paintings remain ubiquitous yet intriguing.
Yu Youhan was born in Shanghai in 1943. He graduated from the Central Academy of Art and Design, Beijing in 1973. Now he resides and works in Shanghai. Yu Youhan's work has shown widely nationally as well as internationally. Recent exhibitions include Yu Youhan Retrospective, PSA China Contemporary Art Collection Series, Power Station of Art, Shanghai (2016); YU Youhan: Yībān, Yuan Space, Beijing (2013); 2×Helbling in Shanghai, IG Halle, Kunst(zeug)haus, Rapperswil, Switzerland (2012); Yu Youhan's Paintings, ShanghART H-Space, Shanghai (2011); Out of Shanghai, Museum gegenstandsfreier Kunst, Otterndorf, Germany (2009); Writing on the Wall, Chinese New Realism and Avant-Garde in the Eighties and Nineties, The Groninger Museum, Groningen, The Netherlands (2008); Study Practice, Shanghai Gallery of Art, Shanghai (2005); Chine, le Corps Partout?, Musee d'Art Contemporain, Paris, France (2004); Museum of Contemporary Art, Marseilles, France (2004) and Landscape of Yi Mengshan, ShanghART H-Space, Shanghai (2004). He has also exhibited in the 22nd Sao Paulo Biennale, Brazil (1994); the 45th Venice Biennale, Italy (1993) and the 1st Asia Pacific Triennial of Contemporary Art, Brisbane, Australia (1991).
Text courtesy ShanghART.
In the developing context of Western art, the use of Renaissance to express the spiritual pursuit of “humans”, the painting logic then expresses the true objective and narrative was gradually created, along with the high development of industrial civilization, the abstract art that is less narrative and of much spiritual expression...Read More