Ocula Conversation Emi Eu: ‘We have to look at Southeast Asia as one market’ Stephanie Bailey, Singapore STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.
Ocula Report New Delhi, Mumbai, Kolkata: Shows to See Kanika Anand, New Delhi With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.
Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.
Xu Qu graduated with a BFA from Nanjing Art Institute in 2002 and an MFA in Fine Arts and Film at Braunschweig University of Art, Germany in 2008 before moving to Beijing, where he currently lives and works. Known for his original multiform approach and richly varied work, Xu Qu is one of the most interesting creative talents from the new generation of young Chinese artists who grew up in the 1980s. For over several years, Xu Qu has been exploring a wide range of mediums, such as videos, paintings, sculptures and installations that are questioning the reality of our global world and displaying an obsession with attraction for power relations. Xu Qu’s artistic practice has always been focused on the aesthetic considerations behind social connections through direct movements, achieving this through a minimalist approach. His works attempt to reorganize and heighten spaces of artistic production, utilizing painting and lighting to reconfigure spatial and temporal experience.
Text courtesy Tang Contemporary Art.
Related Press 'Digging a Hole in China': exploring Land Art in the context of Chinese contemporary art 21 April 2016, Art Radar Land is the subject of a large-scale show at OCAT Shenzhen entitled Digging a Hole in China (20 March – 26 June 2016) which features a variety of media and works by over a dozen contemporary Chinese artists executed from 1994 onwards. In this inaugural show at OCAT Shenzhen, since her appointment as Artistic Director in August 2015,...
Related Press “Digging a Hole in China”: exploring Land Art in the context of Chinese contemporary art 18 April 2016, Art Radar Land is the subject of a large-scale show at OCAT Shenzhen entitled Digging a Hole in China (20 March–26 June 2016) which features a variety of media and works by over a dozen contemporary Chinese artists executed from 1994 onwards. In this inaugural show at OCAT Shenzhen, since her appointment as Artistic Director in August 2015, curator Venus...
Related Press Xu Qu: Tennis Court 4 November 2014, by Lida Zeitlin Wu / Leap Magazine / 20 October 2014 Last month, Beijing-based artist Xu Qu (b. 1978) constructed his first large-scale outdoor installation: a tennis court on the terrace of Taikang Space in Beijing’s Caochangdi. Tennis Court, exactly 1/6 the size of a standard tennis court, is also an exercise in relational aesthetics: viewers become players as they step onto the court and it...
Related Press Xu Qu At Tang Contemporary Art, Beijing 28 May 2014, Zhang Xiyuan for Leap / 23 May 2014 How do you pull off a solo exhibition with painting as its core in a 400-square-meter gallery with a ceiling that reaches 12 meters high at its peak? This space has previously hosted massive, visually aggressive, and spatially oppressive installations, such as Sun Yuan and Peng Yu’s contemporary spectacle Freedom, macro-narrative fabrications...
Related Video & Audio Artshare Interviews Artist Xu Qu 29 May 2015, Artshare Xu Qu graduated with a MFA in Fine Arts and Film at Braunschweig University of Art, and currently lives and works in Beijing. Xu Qu's art practice investigates aesthetic considerations behind social connections. He attempts to dismiss any unnecessary elements that distract from the theme, using a minimalist approach to simplify the picture. The...
