STPI's Emi Eu reflects on S.E.A. Focus, an STPI project platforming artists and galleries from Southeast Asia, in the wake of Art Stage's decline in 2019 and ahead of the launch of Singapore's new art fair, Art SG, in October 2020.
With India Art Fair set to open amid nationwide protests, Kanika Anand introduces shows in New Delhi, Mumbai, and Kolkata that express shifting socio-political identities, modes of resistance, and explorations of place-making.
Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.
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When Sydney art dealer Ray Hughes visited Swiss collector Uli Sigg at his Mauensee residence near Lucerne some years ago, a mutual friend asked the dealer how the visit went. ‘Did you feel comfortable and find a place to kick your feet up and read?’ ‘No, to both,’ answered Hughes, ‘it seems there was only art...
In the corner of a small gallery on an upper floor of the Solomon R. Guggenheim Museum, you are immersed in a bloody, bizarre, and strangely emotional tableau. Inside a floor-to-ceiling acrylic cage, a black robotic arm twirls around, sweeping bloody residue on the floor towards itself. Just as the arm’s plastic flap cleans one area, more liquid...
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