Zhou Chunya Biography

My favorite color is Italian Classico Green Verde 290, but it is only significant when used to depict black roots, specifically to add rose color beside the tongue and genitalia of black roots to enhance the effect of the 290 color. Human bodies of Permanent red [a particular shade of red]: innate actions, vein cells filled with red, small animals crawling around. I really do not know which color is for human, for sleep, for exercise, and for love. Some objects disappear, but their souls remain. Color itself has no meaning, and it is meaningful only when people think of it, then it becomes a symbol. Surely, this is not a concept for abstract art. All over a sudden, it occurs to me that when I sat for the entrance examination for a fine arts college. Due to my poor color grade, I was dispatched to the printmaking department. [Reason being there is only black and white for woodcut prints] As a result, I could not use paint to express the true color of an object. I later found out what I saw was not always true. 

Zhou Chunya
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Misty Flowery March by Zhou Chunya contemporary artwork painting
Zhou Chunya Misty Flowery March, 2014 Oil on canvas
320 x 210 cm
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