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Thomas Erben Gallery
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Thomas Erben Gallery In Press Archive

Mike Cloud Invents a New Kind of Portrait Painting Related Press Mike Cloud Invents a New Kind of Portrait Painting 13 November 2019, ARTnews

As is usual for [Cloud][0], his new works-arrangements of exposed stretcher bars and paint-slathered canvas—are as much relief sculptures as paintings. 'I've always felt that there was a really stron

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Painting As Portal: Mike Cloud Interviewed by Sheryl Oppenheim Related Press Painting As Portal: Mike Cloud Interviewed by Sheryl Oppenheim 13 November 2019, BOMB Magazine

When I learned to paint fifteen or twenty years ago, the dominant ideology was late modernism. In that ideology, painting was a territory where each painter staked a small aesthetic claim. There was r

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Painting Outside the Safe Zone Related Press Painting Outside the Safe Zone 26 October 2019, Hyperallergic

Paintings are social structures, which is why their inherited authority needs to be short-circuited as part of the artistic process. That is our job as cultural producers. Remarkably, most paintings t

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Dona Nelson's Paintings Make Every Dimension of the Canvas Relevant Related Press Dona Nelson's Paintings Make Every Dimension of the Canvas Relevant 15 October 2019, Art in America

The paintings that Pennsylvania-based [Dona Nelson][0] has been making in the most recent years of her nearly five-decade career are commonly referred to as double-sided, but that description is incom

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Tajan dévoile les peintures de Dona Nelson Related Press Tajan dévoile les peintures de Dona Nelson 14 October 2019, l'Officiel

Si depuis quelques années les maisons de vente ont développé des initiatives–hors ventes pures–à destination d’un public élargi, elles ont opéré à l’aune d’une volonté de compléter l’offre à destinati

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In Dona Nelson’s magically messy paintings, the back is as revelatory as the front Related Press In Dona Nelson’s magically messy paintings, the back is as revelatory as the front 10 October 2019, Los Angeles Times

Stained into the weave of the canvas, it is atmospheric and ghostly–sometimes lyrical, sometimes haunting, sometimes melancholic, sometimes dreamy. Puddled in crusty accumulations, it has the presence

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Preview Art Basel 2019 Related Press Preview Art Basel 2019 7 June 2019, ARTnews

Art Basel 2019 opens to the public on Thursday, June 13, with two preview days, on June 11 and 12. Some 290 galleries from 34 countries will show work at the Swiss fair, which runs through June 16.

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New York Art Galleries: What to See Right Now Related Press New York Art Galleries: What to See Right Now 3 April 2019, The New York Times

'Détournement' means taking an existing artwork or artifact and transforming it into something wiser, funnier and cooler, as evidenced in the show _Strategic Vandalism: The Legacy of Asger Jorn's Modi

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Harriet Korman: Permeable/Resistant Related Press Harriet Korman: Permeable/Resistant 11 December 2018, The Brooklyn Rail

When asked how she starts one of her recent quadrant-based paintings, Harriet Korman replies that her first step is to "find the center." She does so without the assistance of any measuring device, re

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Harriet Korman’s Formal Mastery Related Press Harriet Korman’s Formal Mastery 17 November 2018, Hyperallergic

Harriet Korman began exhibiting her abstract paintings in 1971, during Conceptual Art’s ascendancy and when many in the art establishment considered painting to be a casualty of history’s progress. W

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What to See in New York Art Galleries This Week Related Press What to See in New York Art Galleries This Week 2 May 2018, The New York Times

What's great about George Herriman's much admired early-20th-century comic strip Krazy Kat is its nearly unlimited scope for self-awareness. A stripped-down but playfully catholic style — combined

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Rose Wylie review – childlike bursts of freedom and joy Related Press Rose Wylie review – childlike bursts of freedom and joy 29 November 2017, The Guardian

Memories of her own childhood well up in this strange, discombobulating, exciting exhibition. Wylie was born in 1934 and can remember the blitz. In her painting Rosemount (Coloured) the red outline

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Rose Wylie: 'I want to be known for my paintings – not because I'm old' Related Press Rose Wylie: 'I want to be known for my paintings – not because I'm old' 22 November 2017, The Guardian

Often, a painting's content is described on the canvas in blocky handwriting that is as much a part of the picture as the figures the words snake around or run into. Yet in both thinking and making, t

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London exhibitions: black rights on both sides of the Atlantic and Middle Eastern spaceship diners Related Press London exhibitions: black rights on both sides of the Atlantic and Middle Eastern spaceship diners 1 September 2017, The Art Newspaper

What a show! Each section and, indeed, pretty much each individual in this rich but rigorous celebration of black artists working in the US in the 1960s and 1970s, could spin off into a separate exhib

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India Art Fair 2017: All the Flowers Are for Everyone Related Press India Art Fair 2017: All the Flowers Are for Everyone 10 February 2017, OPEN Magazine

The glory of India Art Fair is that everyone can find a piece of work that speaks to them.

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The Contemporary Canvas Related Press The Contemporary Canvas 4 February 2017, The Indian Express

In its ninth edition, the halls of India Art Fair draw from the global refugee crisis, present-day politics and violence against women.

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Roots of Conceptual Art, Caught by a Camera’s Eye Related Press Roots of Conceptual Art, Caught by a Camera’s Eye 3 December 2015, The New York Times

Learning, like looking, takes time. It took until well into the 20 th century for photography to be fully accepted as art, longer for color work to make the cut. (People thought color belonged in adv

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Indian Artists Look Westward and Homeward, at the Queens Museum Related Press Indian Artists Look Westward and Homeward, at the Queens Museum 14 June 2015, New York Times

In 1997, Jane Farver, the farsighted and much-loved American curator who died in April in Venice, put together an influential exhibition called “ Out of India: Contemporary Art of the South Asian Diaspora ” at the Queens Museum. It was one of the few surveys of its kind in the United States up to that time, and Ms. Farver was...

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