Albrecht’s paintings combine formal and physical qualities – a sensuous colour palette counterpoints rhythmic patterns of proportion, scale, shape, line and texture. The tactile quality of the work with its assured swirling brushstrokes resonate with allusions to an inward sense of order and the underlying rhythms of nature, creating work that revels in the joy of painting.

Since the 1970s, Albrecht’s work has evolved from the poured acrylic ‘stained canvases’ for which she first gained widespread recognition, into a pair of signature ‘shaped-canvas’ formats: the hemisphere (half circle) and the oval. These are shapes that Albrecht associates with particular meanings and states of mind. In the shaped-canvas paintings she has been producing since the early 1980s, resonant combinations of colour and geometry create images with a clear poetic impulse, in which references to architecture, art history, landscape, family and the cosmos act as emotional points of departure.

Albrecht’s artistic horizons have broadened in recent years, to encompass large-scale stainless steel sculpture and the inception of a series of multi-paneled rectangular paintings featuring an inner rectangular ‘threshold’ motif.
In 2009 Albrecht began working on a new series of rectangular paintings featuring oval-shaped vortices of colour combined with slender horizontal geometric figures.
Albrecht continues to develop her ideas using the hemisphere, oval and the newly added rectangle.

Text courtesy Two Rooms.