Intimate, casual, direct and personal, Alice Neel's portraits exist as an unparalleled chronicle of New York personalities – both famous and unknown. Born near Philadelphia in 1900, Alice Neel was one of the foremost American figurative painters and one of the most engaging painters of her times. A painter of portraits, cityscapes, landscapes and still life she was a woman with a strong social conscience and equally strong left-wing beliefs. These led her to move from the comfort of Greenwich Village to Spanish Harlem in 1938 in pursuit of 'the truth' and there she painted casual acquaintances and people she encountered on the street among the immigrant community. Her engagement with the art world came in the form of a series of dynamic portraits of artists and curators many of which are now in major museum collections throughout the world. In 1974 she presented a retrospective exhibition at the Whitney Museum of American Art, New York, an event that was repeated in 2000, marking the centenary of her birth.Read More
Hers is an art characterised by honesty. Alternating between sombre and vibrant colours, Neel's application of paint could be hard-edged and broad as she addressed her subjects on canvas without preliminary sketches. The result of this direct approach is a body of work that preserves the spontaneity of initial ideas and the liveliness of the one-to-one encounter. Her paintings of mothers and babies reveal her deep understanding of their close bond while her depictions of the elderly reveal an empathy for the changes in body and mind that accompany old age. Few twentieth century artists have documented the life cycle with as penetrating a gaze as Alice Neel.
Recent posthumous solo exhibitions have included Alice Neel: The Subject and Me, Talbot Rice Gallery, The University of Edinburgh, Edinburgh, 2016; Alice Neel: Painter of Modern Life at Ateneum Art Museum, Helsinki, 2016; Alice Neel: Intimate Relations at Nordiska Akvarellmuseet, Skarhamn, 2013; Alice Neel: Painted Truths, a retrospective that toured to the Museum of Fine Arts Houston, 2010, the Whitechapel Art Gallery, London, 2010, and the Moderna Museet, Malmö, 2010–11; Collector of Souls at the Moderna Museet, Stockholm, 2008, and Alice Neel, organised by the Philadelphia Museum of Art and travelling to the Whitney Museum of American Art, 2000. Her work is in the collections of major museums including the the Art Institute of Chicago; the Brooklyn Museum of Art, New York; the Denver Art Museum; the Milwaukee Art Museum; the Moderna Museet, Stockholm; the Museum of Contemporary Art, Los Angeles; the Museum of Fine Arts, Boston; the Museum of Fine Arts, Houston; the Museum of Modern Art, New York; the Philadelphia Museum of Art; Tate, London and the Whitney Museum of American Art, New York.
Text courtesy Victoria Miro.
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Mousse Magazine: How does Alice Neel in New Jersey and Vermont represent a specific part of Neel's oeuvre? Jeremy Lewison: This exhibition reveals a side of Neel that has not been very visible to
In 1938 the Pennsylvania-born artist Alice Neel moved from fashionable Greenwich Village in downtown Manhattan to Spanish Harlem, where she lived for four years in a small apartment before relocating
Alice Neel, born in 1900, and raised in white, middle-class Pennsylvania, moved to Harlem in New York at the age of 38. She was still recovering from the tragedy of her first marriage, which had seen
Alice Neel is hard to place, isn't she? The New York-based painter, who died in 1984, lived uptown most of her life, but many of her most famous subjects hailed from downtown coteries. Neel must have
Jeremy Lewison, adviser to the Estate of Alice Neel, talks with Angela Lampe, curator of Modern Art at Centre Pompidou, on the occasion of the exhibition 'Alice Neel in New Jersey and Vermont' (26 Oct