Throughout their career, Elmgreen & Dragset have redefined the way in which art is presented and experienced. Drawing from disciplines as divergent as institutional critique, social politics, performance and architecture, in their sculptures and installations the artists reconfigure the familiar with characteristic wit and subversive humour. From the transformation of New York City's Bohen Foundation into a 13th Street Subway Station in 2004, to the siting of a Prada boutique in a Texan desert in 2005, and the insertion of institutional spaces within the architecture of a public gallery, as in the Serpentine Gallery's critically acclaimed The Welfare Show in 2006, their work raises issues around social models and social spaces, and prompts a re-thinking of the status quo.Read More
Based in London and Berlin, Michael Elmgreen (b. 1961, Denmark) and Ingar Dragset (b. 1969, Norway) have worked as a collaborative duo since the mid 1990's. Well-known for siting a Prada boutique in a Texan desert in 2005, the artists have been commissioned to create a number of sculptures internationally within the public realm: in 2016, their large-scale work Van Gogh's Ear, which takes the form of a displaced swimming pool sitting upright, transformed the Fifth Avenue entrance to the Channel Gardens at the Rockefeller Center, New York; A Greater Perspective, an oversized and non-functional bronze telescope, was installed on New York's High Line from 2015 to 2016, simultaneously drawing attention to and disrupting a secret view of the Statue of Liberty; HAN, a contemporary revisioning of the Danish national icon The Little Mermaid, was installed permanently at Kulturevaerftet Helsingør, Denmark in 2012; Powerless Structures, Fig. 101, the winning proposal for the Fourth Plinth Commission selected by the City of London, was on view in London's Trafalgar Square from 2012–2013; and in 2012 the artists were commissioned by the Munich city council to create and curate a programme of installations across Munich's main squares. The resulting a year-long artistic project, A Space Called Public / Hoffentlich Öffentlich, included the artists' own work as well as the work of a number of other contemporary artists.
Elmgreen & Dragset have staged numerous national and international institutional exhibitions at venues including Museum Haus Lange, Kunstmuseen Krefeld, 2017; FLAG Art Foundation, New York, 2016; Tel Aviv Museum of Art, 2016; the Ullens Center for Contemporary Art, Beijing, 2016; PLATEAU, Samsung Museum of Art, Seoul, 2015; Astrup Fearnley Museum of Modern Art, Oslo, touring to Statens Museum for Kunst, Copenhagen, 2014; Victoria & Albert Museum, London, 2013 - 2014; ZKM Center for Art and Media, Karlsrühe, 2010; Boijmans van Beuningen Museum, Rotterdam, 2011; MUSAC, León, 2009; Malmö Konsthall, 2007; Serpentine Gallery, London, 2006; MCA Chicago, 2005; Tate Modern, London, 2004; and Kunsthalle Zurich, 2001. In 2003, Elmgreen & Dragset won the prestigious Preis der Nationalgalerie für Junge Kunst at Hamburger Bahnhof in Berlin, and the artists were awarded Special Mention at the 53rd Venice Biennale (2009) for The Collectors at the Danish and Nordic Pavilions. The artists have conceived, written and directed theatre productions at Centre Georges Pompidou, Paris, 2009, and the Performa 11 biennale, New York (2011), in addition to curating exhibitions including Do Not Disturb: At the Invitation of Elmgreen & Dragset, Gerhardsen Gerner, Oslo, 2014.
Text courtesy Victoria Miro.
We aim to call attention to the standardised format of art fairs and we want to see how people will adapt their behavioural patterns when entering our fictional art fair within the context of the museum.
Subversive humor is at the heart of Michael Elmgreen and Ingar Dragset’s widely divergent contemporary works that often include the transformation of architectural spaces and sculpture. The Scandinavian duo met in the mid-nineties at a nightclub in Copenhagen, lived together for a decade, and still collaborate today from their respective...
The sculptures of artist-collaborators and former lovers Michael Elmgreen and Ingar Dragset have always reflected upon the company they keep, from the biennial circuit to the art fair jet-set, casting the rarified culture industry in a queer, satirical light.
Georg Jensen's HQ occupies a yellow-brick, former porcelain factory building in the leafy neighbourhood of Frederiksberg, Copenhagen. It's a suitably impressive place, befitting a world-renowned heritage brand, but what sets it apart is what it contains, rather than its architecture. On its first floor is the world's largest silver smithy, where...
Scandinavian art duo Michael Elmgreen and Ingar Dragset have become masters of the architectural installation over the past 13 years, picking up critical acclaim and international gallery shows as they go. Their work is characterised by presenting a familiar space in a different context.
Artists see the world differently from everyone else. And the Scandinavian duo known as Elmgreen & Dragset have a particularly distinctive and skewed take on what the public sphere should look like.
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.