Celebrated for her intricate multimedia installations, in recent years American artist Sarah Sze has returned to painting. New wall-based works continue her decades-long exploration of the ways in which the proliferation of images—printed in magazines and newspapers, gleaned from the Web and television, intercepted from outer space, and ultimately imprinted on our conscious and unconscious selves—fundamentally changes our relationship to physical objects, memories, and time.
Press release courtesy Victoria Miro.
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