For the Kochi-Muziris Biennale in 2016, Abir Karmakar covered the interior walls of Kashi Art Gallery, a restored colonial Dutch house, with seven floor-to-ceiling paintings.
While the residents of this home, evidently furnished according to middle-class taste, are never to be seen, the paintings do not seem de-peopled. In fact, there is a sense of intimacy that Karmakar c
Guest curated by artist Sudarshan Shetty, the third edition of the Kochi-Muziris Biennale (KMB), titled Forming in the pupil of an eye, is an assembly of artist-created realities. Shetty outlines hi