Ocula MagazineContentsView All
Featured ContentView All
Ocula ReportIranian Art at LACMA: In the Fields of Empty Days12 Jun 2018 : Perwana Nazif for Ocula{{document.location.href}}
In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art at the Los Angeles County Museum of Art (LACMA, 6 May–9 September 2018), explores 'the continuous and inescapable presence of the past in Iranian society.' Curated by Linda Komaroff, curator of Islamic art and head of LACMA's Art of the Middle East department, the...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : (article.Type.toLowerCase().indexOf('video') > -1 ? 'Read More & Watch' : 'Read More'))}}
Ocula ConversationLaure Prouvost{{document.location.href}}
Laure Prouvost's most recent exhibition in New York at Lisson Gallery (9 March–14 April 2018) was a gesamtkunstwerk of sorts. The show spread through the entire 10th Avenue gallery space and included two years of artistic production: installation, sculpture, painting, textile, sound and moving image. Uncle's Travel Agency Franchise, Deep Travel...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : (article.Type.toLowerCase().indexOf('video') > -1 ? 'Read More & Watch' : 'Read More'))}}
Ocula ReportDak’Art Biennale 2018: The Red Hour1 Jun 2018 : Federica Bueti for Ocula{{document.location.href}}
On my last evening in Dakar, I made my way to Yarakh, a neighbourhood on the eastern side of the Senegalese capital, where I was guided down a narrow sandy path toward a beach where a group of actors, artists, and locals were taking part in or attending the performance Xeex Bi Du Jeex (a luta continua). The play was written collaboratively in 2018...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : (article.Type.toLowerCase().indexOf('video') > -1 ? 'Read More & Watch' : 'Read More'))}}

Throughout his career, Adam Norton has produced work which challenges perceptions of reality and truth. His institutional-scale installations deliver a range of physical and sensory experiences but, rather than dictating a pre-conceived response, they disarm and encourage dialogue.

In 2008, Norton curated three fully equipped army personnel carriers (tanks) to roam the finance district of Sydney, Australia. This monumental scale logistical installation pointed to our relative safety in comparison to the daily struggle of people in other parts of the world. Other works include a 2009 series of camouflage suits in which the artist disguised himself in a range of urban environments and the construction of a fully equipped nuclear survival bunker, made from a 1960s freestanding timber wardrobe.

Adam Norton graduated from the Ruskin School of Drawing and Fine Art at Oxford University in 1987 and currently lives in Sydney, Australia. He has had more than fifteen solo exhibitions both in Australia and abroad including a number of site-specific curated projects. He has been shortlisted for numerous art awards such as the City of Albany Art Prize (2011), Hazelhurst Art Award (2009), John Leslie Art Prize (2008), New Social Commentary ’08 at Warrnambool Art Gallery, Redlands Westpac Art Prize (2007), ABN AMRO Artist Award (2007) and Robert Jacks Drawing Prize at Bendigo Art Gallery (2003).

Read More

Be the first to know when new artworks and exhibitions by Adam Norton are added to Ocula.

 

{{currentArtwork.ArtistName}}{{currentArtwork.Artist.FullName}}

{{currentArtwork.Title}}

{{currentArtwork.Medium}}{{currentArtwork.Medium && currentArtwork.Medium.substring(currentArtwork.Medium.length -1) != ',' && currentArtwork.Edition ? ',' : ''}} {{currentArtwork.Edition}}


{{currentArtwork.Signature}}


{{currentArtwork.Origin}}

Follow favourite artists and galleries, be notified of new artworks and exhibitions, use our price enquiry service and receive the Ocula newsletter. It's free.

Sign Up
 Sign Up with Facebook
By signing up you accept our Terms & Conditions, Privacy Policy and to
receiving the Ocula e-newsletter. Registration with Ocula is free.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

OutlookiCal GoogleYahoo