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Ocula ReportSongs for Sabotage: the 4th New Museum Triennial20 Apr 2018 : David Xu Borgonjon for Ocula{{document.location.href}}
Songs for Sabotage, the fourth edition of the New Museum Triennial (13 February–27 May 2018) curated by Gary Carrion-Murayari and Alex Gartenfeld, assembles a group of works that, according to the curatorial statement, represent 'models for dismantling and replacing the political and economic networks that envelop today's global youth.' Sabotage...
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Ocula ConversationMichaël BorremansArtist, Belgium{{document.location.href}}
Embarking on a career as a painter relatively late, at the age of 33, Belgian artist Michaël Borremans initially trained as a draughtsman and engraver at Saint Lucas in Ghent. On the occasion of his inaugural exhibition Michaël Borremans: Fire from the Sun at the new David Zwirner space in Hong Kong (27 January–9 March 2018), I spoke with Borremans...
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Ocula ReportThe Lowdown: shows to see during Gallery Weekend Berlin20 Apr 2018 : Phoebe Blatton for Ocula{{document.location.href}}
Gallery Weekend Berlin is a long-established highlight in the German art world's calendar. This year, the fourteenth edition takes place from 27 to 29 April, and features no less than 47 participating galleries showcasing emerging talent alongside established names. With many other exhibitions and events taking place across one of Europe's most...
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Throughout his career, Adam Norton has produced work which challenges perceptions of reality and truth. His institutional-scale installations deliver a range of physical and sensory experiences but, rather than dictating a pre-conceived response, they disarm and encourage dialogue.

In 2008, Norton curated three fully equipped army personnel carriers (tanks) to roam the finance district of Sydney, Australia. This monumental scale logistical installation pointed to our relative safety in comparison to the daily struggle of people in other parts of the world. Other works include a 2009 series of camouflage suits in which the artist disguised himself in a range of urban environments and the construction of a fully equipped nuclear survival bunker, made from a 1960s freestanding timber wardrobe.

Adam Norton graduated from the Ruskin School of Drawing and Fine Art at Oxford University in 1987 and currently lives in Sydney, Australia. He has had more than fifteen solo exhibitions both in Australia and abroad including a number of site-specific curated projects. He has been shortlisted for numerous art awards such as the City of Albany Art Prize (2011), Hazelhurst Art Award (2009), John Leslie Art Prize (2008), New Social Commentary ’08 at Warrnambool Art Gallery, Redlands Westpac Art Prize (2007), ABN AMRO Artist Award (2007) and Robert Jacks Drawing Prize at Bendigo Art Gallery (2003).

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