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Hito Steyerl: How To Build a Sustainable Art World Ocula Conversation Hito Steyerl: How To Build a Sustainable Art World

'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...

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Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Related Press

Calder's black steel meets the white cube at a new exhibition at Hauser & Wirth

Matt Stromberg Los Angeles Times First published on 30 October 2018

Exhibition view: Alexander Calder, Calder: Nonspace, Hauser & Wirth, Los Angeles (27 October 2018–6 January 2019). Photo: Fredrik Nilsen / Hauser and Wirth.

The stark white room is punctuated by abstract black forms — jagged, organic, dramatic and playful — that sprout up from the floor or dangle languidly from the ceiling. Glimpsed out of the corner of your eye, they shift ever so slightly as you walk down the long gallery space, a former bank building. Around each corner, a new surprise.

This is a new exhibition of work by Alexander Calder, one of the most iconic American artists of the 20th century, at Hauser & Wirth's Los Angeles location. Titled Calder: Nonspace, it brings together 30 sculptures spanning 1939 to 1976, the year the artist died.

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