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Bani Abidi: ‘What you see in my films is what I know’ Ocula Conversation Bani Abidi: ‘What you see in my films is what I know’

A group of voices accompanies me in the exhibition. They are singing words I cannot comprehend, yet the warm tunes are familiar: folk songs, love songs, songs of longing. There are letters, too. They speak of the quotidian details of a soldier's life: the hardness of the war, sending money to the family, and longing for familiar landscapes, food,...

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Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Andrew Browne

b. 1960, Australia

Though predominantly a painter, Andrew Browne is also known for his works of photography, charcoal drawings, photogravure, intaglio, lithography and sculpture. Claiming diverse influences, including Jamie Hewlett (best known for creating the virtual band Gorillaz) and Akira Kurosawa (the influential filmmaker), Browne scrutinises the natural world and manmade interventions upon it, often fixating on minute details.

Much of Browne's work centres around an approach that he describes as an 'accumulation of glimpses'. The sense of amassed moments manifests in multiple ways, most clearly in his repetition of certain imageries through different media. For example, the abandoned balloon with a smiley-face in a forest that appears in the photographs From the Periphery #2 (2010), Smiley-Lost (2012), or #9 (2016), also features in the oil painting Deflated (2011). Utilising another medium to recreate similar compositions, Brown seeks to reach a greater understanding of the moment he has captured.

Gnarled tree branches are a common theme in Browne's drawings, paintings, and photographs. In the charcoal drawing #30 (2014), a branch is so highly stylised as to appear almost alien; its disorientation and uncanniness are emphasised by the tightly cropped framing—a common compositional strategy in Browne's work. In his oil painting A visitation (blue) (2015), Browne depicts a similar branch but with colour, including a blue sky that gradates into black in the bottom. Compared to the stark contrast of black and white in #30, the variations in focus and blur in the painting makes it possible to detect a sense of motion in the branch.

While Browne's tree branches convey a somewhat malevolent presence—a sentiment echoed in his charcoal works depicting water and waterfalls—other works cultivate a more hopeful and playful quality. In his 'Pavement' series (2016), the artist records small, odd, and banal moments that would otherwise be lost, pineapple ring discarded on a footpath in #11 (2016), slumped on top of its damp trace, or the small piece of rectangular wood somehow resting on a wire netting in #8 (2016). In the same series, however, works such as #9 with the smiley-face and #4 (2016), depicting a graffitied mask that peeks through a hole on a wooden fence, also point to a potentially destructive and unnecessary manmade intervention on nature.

Browne lives and works in Melbourne.

Biography by Casey Carsel | Ocula | 2018
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Featured Artworks

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Study for Spill #4 by Andrew Browne contemporary artwork
Andrew BrowneStudy for Spill #4, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Study after Fall #2 by Andrew Browne contemporary artwork
Andrew BrowneStudy after Fall #2, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Spill by Andrew Browne contemporary artwork
Andrew BrowneSpill, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Frozen by Andrew Browne contemporary artwork
Andrew BrowneFrozen, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Drawing by Andrew Browne contemporary artwork
Andrew BrowneDrawing, 2018 Charcoal on paper
80.2 x 121 cm
Tolarno Galleries
Threhold by Andrew Browne contemporary artwork
Andrew BrowneThrehold, 2018 Oil on linen
152 x 605 cm
Tolarno Galleries
Spill #4 by Andrew Browne contemporary artwork
Andrew BrowneSpill #4, 2018 Oil on linen
151.5 x 110.5 cm
Tolarno Galleries
Spill #3 by Andrew Browne contemporary artwork
Andrew BrowneSpill #3, 2018 Oil on linen
152.2 x 98.2 cm
Tolarno Galleries

Recent Exhibitions

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Contemporary art exhibition, Andrew Browne, Spill at Tolarno Galleries, Melbourne
Closed
7 June–7 July 2018 Andrew Browne Spill Tolarno Galleries, Melbourne
Contemporary art exhibition, Group Exhibition, @50 Part 2 at Tolarno Galleries, Melbourne
Closed
28 July–12 August 2017 Group Exhibition @50 Part 2 Tolarno Galleries, Melbourne
Contemporary art exhibition, Group Exhibition, @50 Part 1 at Tolarno Galleries, Melbourne
Closed
6–22 July 2017 Group Exhibition @50 Part 1 Tolarno Galleries, Melbourne

Represented By

In Related Press

Andrew Browne 'Spill' at Tolarno Galleries Related Press Andrew Browne 'Spill' at Tolarno Galleries Memo Review : 2 July 2018

To call Andrew Browne's practice 'disquieting' would, of course, be to say nothing new. In fact, a scan of the literature on his work shows that this, in some register or another, is about the only consistent thing said about his gothic greyscale drawing, painting and photography: it is disquieting, filled with suspense, dream-like, humming with...

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Andrew Browne, winner of the Geelong Contemporary Art Prize Related Press Andrew Browne, winner of the Geelong Contemporary Art Prize Tolarno Galleries : 12 June 2018

In a ceremony at Geelong Art Gallery on Friday 8 June, Andrew Browne was named the winner of the 2018 Geelong contemporary art prize for his work, The awakening. A biennial acquisitive award for contemporary painting with a cash prize of $30,000, the judging panel comprised Justin Paton (Head Curator of International Art, Art Gallery of New South...

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