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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Browse Artworks

Untitled by Anya Gallaccio contemporary artwork Anya GallaccioUntitled, 2016–2018 Ceramic
30.5 x 21 x 15 cm
Thomas Dane Gallery
Untitled by Anya Gallaccio contemporary artwork Anya GallaccioUntitled, 2018 Ceramic, avery slip, shino glaze
19.2 x 23.6 x 25.2 cm
Thomas Dane Gallery
Untitled by Anya Gallaccio contemporary artwork Anya GallaccioUntitled, 2018 Ceramic
27 x 20 x 16 cm
Thomas Dane Gallery
Untitled by Anya Gallaccio contemporary artwork Anya GallaccioUntitled, 2018 Ceramic, avery slip, temmuku tips
43 x 31 x 17 cm
Thomas Dane Gallery
Untitled by Anya Gallaccio contemporary artwork Anya GallaccioUntitled, 2018 Ceramic
14.6 x 24 x 25.8 cm
Thomas Dane Gallery
Untitled by Anya Gallaccio contemporary artwork Anya GallaccioUntitled, 2016 Dirt, mixed pigment on paper, framed
53.3 x 55.9 cm (incl frame)
Thomas Dane Gallery
No Better Place Than This by Anya Gallaccio contemporary artwork Anya GallaccioNo Better Place Than This, 1995 Beeswax candles, glass, wood
73 x 183 x 183 cm
Thomas Dane Gallery
Aspire by Anya Gallaccio contemporary artwork Anya GallaccioAspire, 1999 Plywood, candles, teflon rope
Thomas Dane Gallery
Untitled by Anya Gallaccio contemporary artwork Anya GallaccioUntitled, 2016 Dirt, mixed pigment on paper
53.3 x 57.8 cm
Thomas Dane Gallery
CAST by Anya Gallaccio contemporary artwork Anya GallaccioCAST, 2003 Box, acorns (Quercus Robur and Quercus Runbra), one bronze acorn, edition box
15.2 x 15.2 x 5.8 cm
Thomas Dane Gallery
Untitled by Anya Gallaccio contemporary artwork Anya GallaccioUntitled, 2016 Dirt, mixed pigment on paper, framed
53.3 x 57.1 cm (incl frame)
Thomas Dane Gallery
Beautiful Minds by Anya Gallaccio contemporary artwork Anya GallaccioBeautiful Minds, 2015–2017 Aluminium, clay, pump, software
500 x 500 x 500 cm
Thomas Dane Gallery
Untitled by Anya Gallaccio contemporary artwork Anya GallaccioUntitled, 2015 Stainless steel
17000 x 860 x 580 cm
Thomas Dane Gallery
When all the water's gone the feeling lingers on by Anya Gallaccio contemporary artwork Anya GallaccioWhen all the water's gone the feeling lingers on, 2014 Obsidian
91.4 x 75.6 x 3.8 cm
Thomas Dane Gallery
The lights pours out of me by Anya Gallaccio contemporary artwork Anya GallaccioThe lights pours out of me, 2012 Amethyst chamber, surrounded by hornbeam and obsidian, in barbed wire enclosure
Thomas Dane Gallery
Absolute by Anya Gallaccio contemporary artwork Anya GallaccioAbsolute, 1996 Ice
100 x 100 x 100 cm
Thomas Dane Gallery
While reaching for Alma Ata by Anya Gallaccio contemporary artwork Anya GallaccioWhile reaching for Alma Ata, 2003 Set of 5 slip cast glazed porcelain apples
31 x 31 x 13 cm
Thomas Dane Gallery
Double Doors by Anya Gallaccio contemporary artwork Anya GallaccioDouble Doors, 2003 Double door, 65 gerbera, wood, glass metal fixings
275 x 7.2 x 172 cm
Thomas Dane Gallery
Of The Terrible Doubt Of Appearances by Anya Gallaccio contemporary artwork Anya GallaccioOf The Terrible Doubt Of Appearances, 2001 Direct cast bronze of nine potatoes
Thomas Dane Gallery
Somewhere Safer Where The Feeling Stays by Anya Gallaccio contemporary artwork Anya GallaccioSomewhere Safer Where The Feeling Stays, 2005 Direct cast bronze, sterling silver, black patina
228.6 x 109.2 x 81.3 cm
Thomas Dane Gallery
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