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Hito Steyerl: How To Build a Sustainable Art World Ocula Conversation Hito Steyerl: How To Build a Sustainable Art World

'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...

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Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Kader Attia

b. 1970, France

Related Press

How Kader Attia Demonstrates the Radical Healing Power of Art

Jane Ure-Smith Frieze First published on 22 February 2019

Kader Attia, Untitled (2016). Exhibition view: Museum of Contemporary Art Australia, Sydney (12 April–30 July 2017). Courtesy: © the artist and Museum of Contemporary Art Australia. Photo: Anna Kučera.

In 2009, when Kader Attia visited Picasso and the Masters at Paris's Grand Palais, he was surprised to find that the show included works by Caravaggio, El Greco and Cézanne, yet made no mention of the African art that inspired Les Demoiselles D'Avignon (1907). His response was to dig out a mask he'd found in a Dakar market and cover it with mirror fragments – to 'show how cubism was invented'.

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