Cameroonian-born and Paris-based artist Barthélémy Toguo might be best characterized as a polyglot artist. Working across different artistic ocabularies, his work establishes no disciplinary hierarchy amongst a profusion of media. In Toguo’s prolific practice, which encompasses performance, intervention, sculpture, painting, installation, photography, drawing, and prints, the prospects of the human form in a state of dynamic transformation and traumatic reconfiguration represent a fundamental characteristic of his formal investigations. Amongst this repertoire of practices, Toguo has devoted considerable attention on the act of drawing, favoring especially the medium of watercolor. Though he works in simultaneous registers of object and image-based productions, the prolific outbursts of drawings that emanate from his studio enable him to display not only a command of drawing’s diverse formal possibilities but also, to convey a sure-handed delivery that bears no traces of erasure or correction.
Political geography and personal boundaries have been an implicit subject in his studio work and an explicit one in his performances. Toguo is constantly exploring new mediums in his work. Drawing, sculpture, photography, video and performance are essential components in his various installations. On one hand, his watercolors provide a strong visual beats, using a limited repertory of images and colors to depict a dreamy world of human, animal and vegetal metamorphosis. In human-like forms transforming into animal shapes or abstract creatures, Toguo explores the notion of border through the mixing of identities. On the other hand, his large scale installations are generally rough and underline human conflicts, paradoxes, ideological conflicts and extremism.
Courtesy Wooson Gallery
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