Bharti Kher was born in the United Kingdom in 1969. She studied painting, graduating in 1991 from Newcastle Polytechnic. At 23, she moved to New Delhi in India, where she lives and works today.Read More
Her work encompasses painting, sculpture and installation, often incorporating found materials, using them to transform objects and dissolve the distinction between two and three dimensions. Sculptures she has made since the mid-2000s combine animal with human body parts to create hybrid female figures that confront the viewer with a compelling mixture of sexuality and monstrosity. In contrast, her bindi ‘paintings’ are abstract and aesthetic, turning the mass-produced consumerist items into artworks of sumptuous beauty. Her work is engaged with the ready-made, minimalism and abstraction (through repetition), mythology and narratives.
Solo exhibitions include Lawrence Wilson Art Gallery, In Her Own Language, Perth, Australia (2016); Rockbund Art Museum, Misdemeanours, Shanghai, China (2014); Parasol unit foundation for contemporary art, London (2012) and BALTIC Centre for Contemporary Art, Virus, Gateshead, England (2008).
She has taken part in numerous group exhibitions at various institutions including Art Gallery of New South Wales, Sydney, Australia; Villa Reale’s Galleria d’Arte Moderna, Milan, Italy; Kochi Biennale Foundation, Kochi, India; L’Institut Culturel Bernard Magrez, Bourdeaux, France; Guggenheim Abu Dhabi; Khoj International Artists’ Association, New Delhi, India; Kunstmuseum Wolfsburg, Germany; Museum of Contemporary Canadian Art, Toronto; Arken Museum of Modern Art, Denmark; Tel Aviv Museum of Art, Tel Aviv; Centre Pompidou, Paris; The John F. Kennedy Center for the Performing Arts, Washington DC; Musée d’Art Contemporain, Lyon; Kunstmuseum Luzern, Switzerland; Manchester Art Gallery, England; Museum of Contemporary Art, Tokyo; Queensland Art Gallery | Gallery of Modern Art, Australia; Astrup Fearnley Museum, Oslo, Norway; Essl Museum, Austria; National Museum of Modern and Contemporary Art, Seoul, Korea; The New Art Gallery Walsall, England; Yale University School of Art, New Haven, Connecticut; Devi Art Foundation, New Delhi; Mori Art Museum, Tokyo and Serpentine Gallery, London.
Ocula Magazine 's editors select their picks from Asia Now's online Viewing Rooms, presented on Ocula until 7 November.
In Bharti Kher's 'Atlas' series, presented online with Perrotin, colonial maps become sites of counter-narrative.
The fifth Dhaka Art Summit plotted movements, solidarities, and exchanges across the Global South.
Singapore Art Week returns from 11 to 19 January 2020 with a host of island-wide events, at the centre of which is the second edition of S.E.A. Focus (16–19 January 2020) at Gillman Barracks, showcasing the best of contemporary art in Southeast Asia.
Between Wimbledon and the FIFA World Cup, there's been plenty of distractions from London's unusually Mediterranean weather of late.
There are certain shows that change one's sense of art. Surface Work is one of them. Spread across two sites, it is nothing less than an anthology of abstract painting spanning an entire century, fr
From being a forum that brings artists from all over the world to one that will focus on South Asia, India Art Fair (IAF) has changed its course over the nine editions since it debuted in 2008. The t
It has been hard, lately, to think about art. I don’t mean to imply that art isn’t powerful, transformative, or even a necessary distraction. The problem, really, is that it’s been hard to think about anything besides the new president-elect, or how every check I deposit helps fund the poisoning of the sole water supply at...
Hauser & Wirth Somerset is pleased to welcome Bharti Kher as artist-in-residence from September–December 2017. Kher has exhibited at numerous museums and institutions internationally, including the Fr