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Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Ocula Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide

Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...

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Frieze Week Lowdown: London Shows to See Ocula Report Frieze Week Lowdown: London Shows to See 20 Sep 2019 : Tessa Moldan for Ocula

London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...

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Mark Bradford’s Call for Unity at Shanghai’s Long Museum Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019

Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...

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Related Press

Bill Henson’s past and present collide in The light fades but the gods remain Related Press Bill Henson’s past and present collide in The light fades but the gods remain Art Guide Australia : 14 August 2019

The light fades but the gods remain, the new Bill Henson exhibition at Monash Gallery of Art (MGA), Melbourne, opens with a pairing of opposites. As you enter the exhibition, Untitled 42, 1985-86, a photograph of a suburban house with a front lawn at either dawn or dusk, is to your right.

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Review: Bill Henson at Tolarno Galleries, Melbourne Related Press Review: Bill Henson at Tolarno Galleries, Melbourne Art Guide Australia : 16 May 2018

As the lift doors open on Tolarno Galleries, where Bill Henson's latest collection of untitled photographs is currently on display, the subdued temple-like atmosphere is immediately affecting. It encourages a distinct downward-shift in gear from the bustle and blare of the street below. The blinds are drawn. The polished black surface of the floor...

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Close encounters at Auckland Art Fair Related Press Close encounters at Auckland Art Fair ArtAsiaPacific : 3 June 2016

If the big global fairs feel as familiar as ever, they are also increasingly alienating to many of us, because they have lost a core sense of intimacy and shared community. Generally they reflect the globalization of the market (Ai Weiwei is now perennially presented), but most often regional contexts are eschewed in favor of a grand mash-up of...

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Cuts run deep: Is Australia’s ‘coup culture’ killing its cultural heart? Related Press Cuts run deep: Is Australia’s ‘coup culture’ killing its cultural heart? Apollo Magazine : 25 January 2016

In the space of five years, Australia has seen five prime ministers attempt to take the reins of an increasingly erratic and jittery federal parliament. In tandem, Australia’s art world keenly felt each twist and turn; moments of optimism were eclipsed by fear and doubt with the election of the right wing conservative government led by Tony...

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Bill Henson's Bewitching 'Anti-Portraits' of Ballerinas Related Press Bill Henson's Bewitching 'Anti-Portraits' of Ballerinas AnOther Magazine : 1 December 2015

Australian photographer Bill Henson is a master of chiaroscuro – his brooding images painterly studies in light and shade. "I painted and drew and made things out of clay constantly from earliest childhood," he explains to AnOther, "and only became interested in photography at the age of 13 or 14. Before that, I never imagined...

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