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4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula

'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...

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Ellen Altfest Ocula Conversation Ellen Altfest

The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...

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Colomboscope 2019: Cross Currents and Dissonance Ocula Report Colomboscope 2019: Cross Currents and Dissonance 8 Feb 2019 : Nada Raza for Ocula

On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...

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Related Press

Close encounters at Auckland Art Fair

Gregory Burke ArtAsiaPacific First published on 31 May 2016
Galleriest Melanie Roger at her booth with ceramic works by Tessa Laird during Auckland Art Fair, 2016. Courtesy Auckland Art Fair. 

If the big global fairs feel as familiar as ever, they are also increasingly alienating to many of us, because they have lost a core sense of intimacy and shared community. Generally they reflect the globalization of the market (Ai Weiwei is now perennially presented), but most often regional contexts are eschewed in favor of a grand mash-up of periods and styles. There is an opportunity, then, for the regional fair to focus on the validity of regional specificity and to make a virtue of slowing down and taking a deeper and more intimate dive.

Under new ownership, the Auckland Art Fair in New Zealand took this remit on board in a major reboot for its 2016 edition, presenting 40 galleries from the South Pacific. Most were from New Zealand itself, a country not short on outstanding artists and discerning galleries. 

READ MORE ON artasiapacific.com


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