How should net art be classified, historicised, and exhibited, when time has elapsed between its initial production and its latter presentation? On view at the New Museum from 22 January to 26 May 2019, The Art Happens Here: Net Art's Archival Poetics presents 16 seminal artworks from Net Art Anthology, an ambitious two-year initiative undertaken...
Times Art Center Berlin is a non-profit art institution located in the Potsdamer Strasse Art District of Berlin. It was founded in July 2018 by the Guangdong Times Museum, a non-profit private art museum in the Pearl River Delta (PRD) region of China, making this the first parallel institution founded overseas by an Asia-based art museum. Its...
'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...
Who Says Your Feelings Have to Make Sense (2016), Aspassio Haronitaki, Exhibition view, Mona. Photo: Mona/Rémi Chauvin.
Since opening in 2011, the Museum of Old and New Art (Mona) in Hobart, Australia, has put man’s biological impulses and realities at the heart of its curatorial mission. Mona’s founder David Walsh declared infamously that the only relevant themes in contemporary art (and the ones guiding his personal collection) were sex and death. Newspaper headlines responded with glee. Richard Flanagan, a prominent Tasmanian author and Man Booker Prize winner, commented pointedly in a 2013 New Yorker profile of Walsh and Mona that: ‘In its free-flowing associations, Mona owes as much to the Web as it does to the past, and a visitor doesn’t so much visit Mona as surf it. It is as if the museum in its entirety were the art work.’
Sprüth Magers has expanded from its roots in the Rhineland to become an international gallery dedicated to exhibiting the very best in groundbreaking modern and contemporary art. With galleries located in Berlin Mitte, London’s Mayfair and the Miracle Mile in Los Angeles – as well as an office in Cologne and an outpost in Hong Kong – Sprüth Magers retains close ties with the studios and communities of the German and American artists who form the core of its roster.
The gallery emerged amid an extraordinary outburst in contemporary art that took place in Cologne in the early 1980s. Its first iteration as Monika Sprüth Gallery opened in 1983 with an exhibition of paintings by Andreas Schulze and was soon followed by exhibitions of Rosemarie Trockel and Peter Fischli David Weiss. Over the next few years George Condo, Jenny Holzer, Barbara Kruger, Louise Lawler and Cindy Sherman all showed at the gallery and have continued to do so for the last thirty years. In 1992 a second gallery opened in Cologne under the name of Philomene Magers. Early exhibitions included Ad Reinhardt’s Black Paintings, Robert Morris’s felt pieces and John Baldessari’s photographs and text paintings from the 1960s. The two galleries merged into a single entity in 1998 and in 2000 the Munich space opened with Ed Ruscha’s exhibition Gunpowder and Stains.
In 2003 Sprüth Magers Lee opened in London with an exhibition of works by Donald Judd. In 2007 Sprüth Magers relocated to Grafton Street, Mayfair; on show was a selection of new photographs by Andreas Gursky. In 2008 the gallery established its flagship space in a former dancehall in Berlin Mitte – not far from the city’s Museum Island. The gallery debuted with Thomas Scheibitz and George Condo.
The latest chapter in the gallery’s history came to fruition in February 2016, with the launch of its space in Los Angeles. Located on Wilshire Boulevard, just across the road from LACMA, it is housed in a two-storey building designed in the late 1960s by legendary West Coast architects William L. Pereira & Associates. It was originally created as part of a complex completed in 1971 that includes the tallest building of the Miracle Mile district, a plaza and reflection pool. The 14,000 square foot space was remodeled as a gallery by the London-based architect Andreas Lechthaler and Berlin-based architect Botho von Senger und Etterlin. The interior features vintage furniture by female California-based designers.
Known for its rigorously curatorial approach to its program and for a deep and enduring devotion to the artists it represents, the gallery has, over the past three decades, fostered close and collaborative relationships with museums and curators worldwide. Meanwhile it continues its tradition of commissioning new scholarship and creating innovative books and publications.
Sprüth Magers now works with over 60 artists and estates. While continuing to work with mid-career artists such as Thomas Demand and Sterling Ruby, the gallery regularly broadens its program with up-and-coming younger artists such as Cyprien Gaillard, David Ostrowski, Michail Pirgelis, Analia Saban, Alexandre Singh and Ryan Trecartin and Lizzie Fitch. The program is rounded off with important and influential senior artists such as Reinhard Mucha, Frank Stella, the late Richard Artschwager, Hanne Darboven, Bernd & Hilla Becher and the Estates of Keith Arnatt and Craig Kauffman.
Situated on the Derwent River outside Hobart, MONA is the largest privately funded museum in Australia. The museum presents antiquities, modern and contemporary art from the David Walsh collection. Officially opened in January 2011, the museum houses over 400 artistic works.
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