Australian artist Brook Andrew 's practice often finds inspiration in institutional archives, but his intentions go beyond the archaeological: he is not primarily interested in discovering or documenting the past, but in 'un-cementing' history's hold on events, people and beliefs, and in doing so, freeing the discussions taking place today from...

Newly announced highlights of the event include Arthur Jafa's The White Album, which won the Golden Lion at last year's Venice Biennale.

Curated by Anita Dube, the 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life (12 December 2018–29 March 2019) 'places access at its core', writes Natalie King.

A week of memorable highs and lows, and at times crashing expectations, kind of like the contemporary art market, really.

It is 16 years since I last visited an Asia Pacific Triennial and it is heartening to see that although APT8 is a very different beast from the ground-breaking APTs of the 1990s, this edition has stayed true to the triennial’s philosophy of interacting with the region’s artists in a sustained and very localised way. When the APT was...

Since the late 1980s the major concern for curatorial practice has been the rise of biennale culture; the impact this exhibition format has had upon both the production and reception of contemporary art internationally. Reflecting on this lineage and recent politics from within the Asia-Pacific region, it is apparent that exhibitions such as...

For a city consistently referred to as Australia’s ‘cultural capital’ Melbourne’s National Gallery of Victoria (NGV) has had a track record of casual disregard for the vigorous cultural activities that have been occurring in its midst. It has seemed odd at best, that despite healthy acquisitions of contemporary...