Brook Andrew Ocula Magazine

Published in partnership with Roslyn Oxley9 Gallery, Brook Andrew reflects on his trajectory as an artist.

Australian artist [Brook Andrew][0]'s practice often finds inspiration in institutional archives, but his intentions go beyond the archaeological: he is not primarily interested in discovering or docu

At the 2022 March Meeting, Gayatri Chakravorty Spivak asked: 'What would global decolonisation look like?'

At the Seoul Museum of Art, an invitation to rethink Australia through contemporary art unfolds across mediums.

The list remains overwhelmingly dominated by people, institutions and movements in the Western world.

Ocula Magazine's editors present their picks from Sydney Contemporary Presents 2020.

Newly announced highlights of the event include Arthur Jafa's The White Album, which won the Golden Lion at last year's Venice Biennale.

Curated by Anita Dube, the 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life (12 December 2018–29 March 2019) 'places access at its core', writes Natalie King.

A week of memorable highs and lows, and at times crashing expectations, kind of like the contemporary art market, really.

APT8’s focus is on performance, and this idea allows the curatorial staff to go back to the seeds of the first triennials and to reference the exhibition’s history of engagement in this sphere.

Reflecting on recent politics from within the Asia-Pacific region, it is apparent that exhibitions such as APT require a new set of responsibilities in order to maintain criticality with audiences

For a city consistently referred to as Australia’s ‘cultural capital’ Melbourne’s National Gallery of Victoria (NGV) has had a track record of casual disregard for the vigorous cultural activities that have been occurring in its midst. It has seemed odd at best, that despite healthy acquisitions of contemporary...