I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Unfolding across all three floors of Hauser & Wirth New York, 22nd Street, A Luta Continua is the first United States presentation of the Sylvio Perlstein Collection. Curated by David Rosenberg, the exhibition presents more than 360 works by some 250 artists. Among these are Josef Albers, Carl Andre, Diane Arbus, Hans Bellmer, André Breton, Marcel Broodthaers, Alexander Calder, Marcel Duchamp, Max Ernst, Hannah Höch, Jenny Holzer, Donald Judd, Sol LeWitt, René Magritte, Man Ray, Bruce Nauman, Brice Marden, Robert Morris, Edward Ruscha, Robert Ryman, Fred Sandback, Robert Smithson, Jean Tinguely, and Andy Warhol.
Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and Vice President Marc Payot. A family business with a global outlook, Hauser & Wirth has expanded over the past 26 years to include outposts in Hong Kong, London, New York, Los Angeles, Somerset and Gstaad. The gallery represents over 70 artists and estates who have been instrumental in shaping its identity over the past quarter century, and who are the inspiration for Hauser & Wirth’s diverse range of activities that engage with art, education, conservation and sustainability.
Hauser & Wirth has built a reputation for its dedication to artists and support of visionary artistic projects worldwide. In addition to presenting a dynamic schedule of exhibitions, the gallery collaborates with renowned curators to present museum quality surveys and invests considerable resources in new scholarship and research. Since its earliest days, the gallery has mounted historically significant exhibitions. The inaugural exhibition in 1992 took place at Hauser & Wirth’s first gallery, located in the first-floor apartment of an Art Deco villa in the heart of Zurich; it united mobiles and gouaches by Alexander Calder with sculptures and paintings by Joan Miró. Since then, the gallery has continued to forge an academically rigorous, ambitious program of historic exhibitions, providing a natural home for a number of major 20th-century European and American artist estates, and encouraging a continued and engaging discourse around their oeuvres. These include Louise Bourgeois, The Estate of Philip Guston, The Eva Hesse Estate, Allan Kaprow Estate, Mike Kelley Foundation for the Arts, The Estate of Jason Rhoades, Dieter Roth Estate and The Estate of David Smith.
Hauser & Wirth is widely admired for a sympathetic approach to restoring historic buildings and giving them a new lease of life as contemporary art spaces that invigorate surrounding communities. From the conversion of its first permanent venue in the former Löwenbräu brewery building that became Hauser & Wirth Zürich in 1996, the gallery has developed and sensitively restored existing structures that respond to their environments, connecting international art with local culture through architecture. In 2003, an Edward Lutyens-designed former bank on Piccadilly became Hauser & Wirth’s first London gallery, while a decade later, in 2013, the legendary Roxy discotheque and skating rink became the gallery’s second New York space. In recent years, the gallery has renovated Durslade Farm, a collection of dilapidated farm buildings in rural Somerset, into world-class art center Hauser & Wirth Somerset, as well as redeveloping a 100,000 sq. ft. former flour mill, the Globe Mills complex, in downtown Los Angeles in 2016. In 2018, Hauser & Wirth Los Angeles was awarded Los Angeles Conservancy’s highest honor, the Chair’s Award, which recognizes the importance of preserving the historic places that make Los Angeles unique. Hauser & Wirth is currently constructing its first purpose-built gallery space at 542 West 22nd Street in New York’s West Chelsea art district.
As a publisher specializing in books on modern and contemporary art, Hauser & Wirth has published over 100 titles in its quarter-century history of exhibitions, projects and research. Hauser & Wirth’s publishing activity, brought together under Hauser & Wirth Publishers, consists of monographs, artists’ books, historic exhibition catalogues, collections of artists’ writings and catalogues raisonnés. Hauser & Wirth Publishers works with academics and curators to bring current, leading research to its readers. Its first dedicated bookshop opened in November 2016 in the new home of Hauser & Wirth’s downtown Manhattan gallery.
A commitment to education underpins the Hauser & Wirth exhibition roster. Every show is accompanied by a series of lectures, interactive seminars, innovative workshops, and special events developed for a range of ages and target audiences. These programs are intended to inspire creativity and foster a passion for contemporary art, nature and architecture within all areas of the community. In Somerset, the gallery has created strong links with local schools, universities and charities, and also provides courses for adults and special interest groups. Hauser & Wirth Somerset welcomes around 100 school groups every year. Events include an annual summer school for young people in collaboration with Bristol Old Vic Theatre, seasonal workshops for adults, such as basket weaving, and Open Farm Sunday, a yearly initiative that opens Durslade Farm to visitors, as well as the annual Pumpkin Festival in celebration of the harvest. This public engagement is mirrored in Los Angeles where the learning program aims to instigate a dialog between the works on view and the city’s diverse audiences.
Food comprises a pivotal element of the experience of Hauser & Wirth’s galleries. Bringing together Iwan and Manuela Wirth’s passion for art with their enthusiasm for hospitality, gastronomy and community, the galleries sit alongside a series of bars and restaurants conceived as social gathering spaces. The Roth Bar & Grill in Somerset and Manuela restaurant in Los Angeles provide informal and convivial atmospheres where honest, seasonal and locally-sourced food is served. The Roth Bar & Grill works closely with local farmers, gamekeepers and gardeners, to use entirely local and ethical British produce. Similarly, at Manuela, an urban kitchen garden provides the restaurant with herbs, fruits and vegetables as well as a chicken house and run for the restaurant’s 11 rare-breed chickens.
Also onsite at Hauser & Wirth Somerset is Durslade Farmhouse, a six-bedroom guesthouse within a Grade II-listed farm building, full of character and bold twists that celebrate the natural antiquity of the building. More recently, renovations have begun on The Fife Arms in Braemar, Scotland, an imposing Arts & Crafts hotel currently undergoing extensive restoration to return the building to its former glory. With their deep-rooted investment in community, history, wildlife and landscape, each of the Wirths’ ventures is embedded in the unique heritage and traditions of its local culture.
Unfolding across all three floors of Hauser & Wirth's 22nd Street location, A Luta Continua is the first United States presentation of the Sylvio Perlstein Collection. Over the course of more than five decades, Perlstein has assembled an intensely personal collection rooted in a passion for the work of groundbreaking artists; a commitment to self-education; and an affinity for a wide range of mediums. Remarkably diverse, the Collection traces the course of twentieth-century art, from Dada and Surrealism to Abstraction, Land Art, Conceptual Art, Minimal Art, Pop Art, Op Art, Arte Povera, Nouveau Réalisme, and Contemporary Art. But above all, A Luta Continua testifies to the power of connoisseurship and to collecting as a talent - an art in itself - that must be honed through sustained, sometimes courageous, and often joyful personal effort.
Curated by David Rosenberg, A Luta Continua takes its title from South African artist Thomas Mulcaire's eponymous neon sculpture, which translates from Portuguese as 'the struggle continues' and hangs on the façade of Perlstein's home. The exhibition presents more than 360 works by some 250 artists. Among these are Josef Albers, Carl Andre, Diane Arbus, Hans Bellmer, André Breton, Marcel Broodthaers, Alexander Calder, Marcel Duchamp, Max Ernst, Hannah Höch, Jenny Holzer, Donald Judd, Sol LeWitt, René Magritte, Man Ray, Bruce Nauman, Brice Marden, Robert Morris, Edward Ruscha, Robert Ryman, Fred Sandback, Robert Smithson, Jean Tinguely, and Andy Warhol.
In addition to significant concentrations in the areas of Minimalism and Pop Art, a highlight of the Perlstein Collection, featured prominently in this exhibition, is an exceptional 'collection within the collection' of twentieth- century photography. On view will be over 150 works by such pioneers of the medium as Eugène Atget, Brassaï, Claude Cahun, André Kertész, Germaine Krull, and László Moholy-Nagy, as well as revered figures Diane Arbus, Henri Cartier-Bresson, Robert Doisneau, Walker Evans, Dora Maar, and Man Ray, with whom Perlstein maintained a close friendship until the artist's death in 1976. The exhibition presents more than a dozen works by Man Ray that span the photographer's career, including his Rayographs Untitled, 1923, and La Colifichet, 1923, as well as his startling portraits of early twentieth-century French luminaries such as Antonin Artaud, 1929 and Marcel Duchamp, La Tonsure, 1919.
A Luta Continua offers the public special insight into the traits that define an outstanding collector - a highly independent, deeply curious personality, unafraid of art that challenges familiar norms. Delighted by the discovery and study of vibrant, evocative, and surprising objects, Perlstein has sought out artists who are committed to breaking new ground. Exhibition curator David Rosenberg describes the Perlstein Collection as 'a world in itself' that has developed from its owner's defining impulse to surround himself with art that 'unsettles, intrigues, or disturbs him.'
Raised in Rio de Janeiro, Sylvio Perlstein has lived and traveled extensively between Brazil, Belgium, France, and the United States. Time and travel played fundamental roles in the evolution of his collection. He began in early adulthood to visit exhibitions, meet artists, exchange ideas with dealers and other collectors, and ultimately established a network of lifelong relationships that sustained an intimate, ever-growing understanding of artistic breakthroughs, revealed in a cache of hundreds of artworks in his holdings.
Perlstein credits his enthusiasm for collecting art to his time as a teenager in Rio de Janeiro, where, on a walk home from the beach, he persuaded a florist to sell him a painting that caught his eye in a flower shop. From that moment on, Perlstein recalled, he 'never stopped seeking out art.'
In the late 1950s, Perlstein returned to Belgium, the country his family had fled to escape Nazism. There he began seeking out and purchasing work from local artists. Like the florist in Rio, Antwerp-based painter Floris Jespers was initially resistant to this enthusiastic stranger; however, he eventually acquiesced to sell Perlstein a painting that remains in the Collection today. Soon thereafter, Perlstein's unique combination of persistence, knowledge, and pure love of art would similarly win over other Belgian artists, including E. L. T. Mesens, Marcel Mariën, René Magritte, Pol Bury, and Marcel Broodthaers, whose art is represented in 'A Luta Continua' by a group of six exceptional works.
Perlstein often went to great lengths to seek out the artists who most intrigued him. In the late 1970s, he wrote to outsider artist Friedrich Schröder-Sonnenstern, who was interned in a psychiatric hospital in Berlin, inquiring about purchasing works. Schröder-Sonnenstern replied that if Perlstein came with a bottle of whiskey, they could talk about his art. The burgeoning collector gamely agreed, hiding the alcohol in his raincoat to avoid detection by hospital guards. Schröder-Sonnenstern's Spitting Child, or the moral Eva, 1956, is featured in A Luta Continua.
Equally determined to acquire works from Hannah Höch, Perlstein traveled to the artist's remote home in Berlin- Heiligensee, knocked on her door, and purchased Look, Beauties, 1920, and _Rooster, 1919, both of which are included in the exhibition. Later, he would travel to Holland to meet Paul Citroen; to Tel Aviv to visit Marcel Janco, from whom he would purchase some of his finest works of Dada art; and to Paris, where he first met Man Ray, in the 1960s, who sparked Perlstein's passion for collecting Surrealist work.
From the 1960s to the 1980s, Perlstein spent prolonged amounts of time in New York, often frequenting Max's Kansas City - the storied nightclub that served as the premier gathering spot for the city's artists, writers, and musicians - and quickly becoming an important figure in the downtown scene. During this time, he developed close relationships with artists such as Keith Haring, Sol Lewitt, and Bruce Nauman, regularly visiting their studios. Eight works by Nauman, including his 1989 sculpture Hanging Heads #3 (Green Andrew with Tongue / Green Julie, Mouth Open) and his Good Boy Bad Boy video from 1985, are included in the exhibition.
Perlstein's devotion to collecting and connoisseurship endures: he maintains close relationships with the living artists whose work he continues to champion and is still building upon his holdings. When viewed together, the seemingly far-flung works that comprise the Perlstein Collection suggest unexpected and often profound affinities and echoes, with each area of concentration serving to contextualize and expand our insights into the next.
A Luta Continua is accompanied by a forthcoming catalogue from Hauser & Wirth Publishers that traces the evolution of the Perlstein Collection through previously unpublished archival materials, illustrations, and newly commissioned essays by Matthieu Humery, Scientific Advisor for Photography; exhibition curator David Rosenberg; and writer Luc Sante, whose text reflects upon the Surrealist photography included in the Perlstein Collection.
Artists included in A Luta Continua. The Sylvio Perlstein Collection
James Abbe, Berenice Abbott, Vito Acconci, Yaacov Agam, Josef Albers, Laure Albin Guillot, Manuel Alvarez Bravo, Carl Andre, Arakawa, Diane Arbus, Arman, Eugène Atget, Enrico Baj, Robert Barry, Jean-Michel Basquiat, Sir Cecil Beaton, Bernd and Hilla Becher, Hannes Beckmann, Vanessa Beecroft, Hans Bellmer, Ben, Ilse Bing, Alain Bizos, Théo Blanc, Erwin Blumenfeld, Mel Bochner, Alighiero Boetti, Edouard Boubat, Pierre Boucher, Margaret Bourke-White, Marcel Bovis, Constantin Brâncuși, Bill Brandt, Brassaï, Josef Breitenbach, André Breton, Marcel Broodthaers, Daniel Buren, Pol Bury, James Lee Byars, André Cadere, Claude Cahun, Alexander Calder, Harry Callahan, Sergio de Camargo, Kevin Carter, Henri Cartier-Bresson, Pere Catalá i Pic, Maurizio Cattelan, César, Václav Chochola, Christo, Paul Citroen, Denise Colomb, George Condo, Joseph Cornell, Imogen Cunningham, Salvador Dalí, John De Andrea, Niki de Saint Phalle, Antoine Demilly, Jan Dibbets, Braco Dimitrijević, Robert Doisneau, Marcel Duchamp, Nusch & Paul Eluard, Max Ernst, Walker Evans, Otto Exinger, Robert Filliou, Dan Flavin, Lucio Fontana, Robert Frank, Wilhelm Freddie, Hamish Fulton, Jaromír Funke, Arshile Gorky, Dan Graham, Raymond Hains, Heinz Hajek-Halke, Duane Hanson, Artür Harfaux, Keith Haring, Hildegard Heise, Michael Heizer, Fritz Henle, Hannah Höch, Jenny Holzer, Douglas Huebler, Georges Hugnet, Robert Indiana, Lotte Jacobi, Artür Harfaux, Keith Haring, Hildegard Heise, Michael Heizer, Fritz Henle, Hannah Höch, Jenny Holzer, Douglas Huebler, Georges Hugnet, Valentine Hugo, Robert Indiana, Lotte Jacobi, Barbara Kruger, Germaine Krull, Wifredo Lam, Jacqueline Lamba, Jacques Henri Lartigue, Clarence John Laughlin, Bertrand Lavier, Marcel G. Lefrancq, Sol LeWitt, Roy Lichtenstein, Richard Long, Eli Lotar, George Platt Lynes, Dora Maar, René Magritte, Robert Malaval, Man Ray, Atelier Manassé, Robert Mangold, Piero Manzoni, Robert Mapplethorpe, Brice Marden, Marepe, Marcel Mariën, Agnes Martin, Ira Martin, Gordon Matta-Clark, Roberto Matta, Mario Merz, E.L.T. Mesens, Jean Metzinger, Antoni Miralda, Tina Modotti, László Moholy-Nagy, Pierre Molinier, Andrew Moore, Robert Morris, Thomas Mulcaire, Vik Muniz, Martin Munkácsi, Bruce Nauman, Paul Nougé, Roman Opalka, Meret Oppenheim, Paul Outerbridge, Nam June paik, Roger Parry, Pino Pascali, Irving Penn, Richard Pettibone, Francis Picabia, Michelangelo Pistoletto, Martial Raysse, Ad Reinhardt, Albert Renger-Patzsch, Georges Ribemont-Dessaignes, Hans Richter, Michael S. Riedel, Miguel Rio Branco, Larry Rivers, Alexander Rodchenko, Mimmo Rotella, Allen Ruppersberg, Edward Ruscha, Robert Ryman, Lucas Samaras, Fred Sandback, Lou Scheper-Berkenkamp, Kurt Schwitters, Tino Sehgal, Andres Serrano, Robert Smithson, Frederick Sommer, Friedrich Schröder-Sonnenstern, Keith Sonnier, Edward Steichen, Haim Steinbach, André Steiner, Alfred Stieglitz, Rudolf Stingel, Paul Strand, Jindřich Štyrský, Josef Sudek, Maurice Tabard, Takis, Yves Tanguy, Jean Tinguely, Rodrigo Torres, Toyen (Marie Čermínová), Tunga, Cy Twombly, Tristan Tzara, Raoul Ubac, Günther Uecker, Umbo, Emiel van Moerkerken, Jacques Villeglé, Andy Warhol, Weegee, William Wegman, Lawrence Weiner, Tom Wesselmann, Edward Weston, Paul Wolff, Wols.
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