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58th Venice Biennale: May You Live In Interesting Times Ocula Report 58th Venice Biennale: May You Live In Interesting Times 24 May 2019 : Mohammad Salemy for Ocula

The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...

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Zheng Bo Ocula Conversation Zheng Bo

Hong Kong-based artist Zheng Bo's social, ecological, and community-engaged art practice has, in recent years, focused on moving beyond a human-centred perspective to an all-inclusive, multi-species approach. He takes up marginalised plants and communities of people as subjects in his large-scale interventions, which reintroduce wildness into...

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Auckland Art Fair 2019: Conversations Extended Ocula Report Auckland Art Fair 2019: Conversations Extended 24 May 2019 : Sherry Paik for Ocula

The weather was clement for the annual Auckland Art Fair (2–5 May 2019), which was again at The Cloud on Queens Wharf. This year's edition was a get-together of 41 galleries, mostly from around Auckland and across New Zealand, with 5 spaces hailing from Sydney and the rest from Cook Islands (Bergman Gallery), Hobart (Michael Bugelli Gallery),...

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Related Press

Giardini Pavilion Highlights from the 57th Venice Biennale

Katy Donoghue Whitewall First published on 11 May 2017

Japan Pavilion. Photo by Francesco Galli. Courtesy of La Biennale di Venezia.

JAPANESE PAVILION, Takahiro Iwasaki: Turned Upside Down, It's a Forest

Takahiro Iwasaki has created a multifaceted spatial experience of viewing the Itsukushima Shrine located in Hiroshima, where the artist was born, raised, and continues to work. Viewers can see the site from the perspective of a bird, insect, or fish, skewing the perception of time, material, and reality. The artist has explored Japan's rural landscape in his previous work, and furthers that investigation with this project by imagining the site seen from land and by sea. The exhibition title, Turned Upside Down, It's a Forest, comes from the idea that Venice would look like a forest if it were flipped, since it was built on stakes within a lagoon.

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