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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Wong Ping: Hong Kong Fables Ocula Conversation Wong Ping: Hong Kong Fables

There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Catherine Opie

b. 1961, USA

Related Press

L.A Story: Catherine Opie on her controversial photographs of Los Angeles subcultures, in 1998

Suzanne Muchnic ArtNews 25 January 2016
Catherine Opie, The Shoe Closet from the 700 Nimes Road Portfolio, 2010–11, pigment print. ©Catherine Opie/Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong

In honor of her two shows at Lehmann Maupin and her show at the Museum of Contemporary Art in Los Angeles opening this weekend, below is a profile of Catherine Opie from the September 1998 issue of ARTnews. —The Editors, ARTnews

“L.A. Story”
By Suzanne Muchnic

From the leather crowd to mini-malls, Catherine Opie trains her lens on the subcultures of Los Angeles.

Sitting down at a table in the reception area of the Los Angeles Museum of Contemporary Art as if she were in her own living room, Catherine Opie opens a big black box of photographs. Freshly scrubbed and casually dressed in jeans and a striped shirt, the 36-year-old artist is the picture of unpretentious confidence—an all too rare example of an artist who has been catapulted from obscurity into the limelight and knows how to handle it. As the first winner of the Los Angeles museum’s Emerging Artist Award, Opie was recently honored with a show of her black-and-white photographs of freeways and mini-malls. 

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