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4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula

'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...

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Ellen Altfest Ocula Conversation Ellen Altfest

The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...

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Colomboscope 2019: Cross Currents and Dissonance Ocula Report Colomboscope 2019: Cross Currents and Dissonance 8 Feb 2019 : Nada Raza for Ocula

On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...

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Related Press

Catherine Opie: Portraits and Landscapes at Thomas Dane Gallery

Christine Takengny Contemporary Art Space First published on 3 November 2017

Catherine Opie, David, 2017 (Detail). © Catherine Opie, Courtesy Regen Projects, Los Angeles and Thomas Dane Gallery, London.

American photographer Catherine Opie shot to prominence in the early 1990s with a spectacular body of studio portraits of gay, lesbian and transgender women and men drawn from her circle of fellow artists and intimates in Los Angeles and San Francisco. Her practice, sometimes described as 'social portraiture', spans across portraits, seascapes, landscapes, scenes of American domestic life, freeways, malls, cities and political rallies. The artist, who is considered one of the leading photographers of her generation, explores notions of identity and community and the way they shape one another. Her imagery also continuously explores the relationship between painting and photography.

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