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Net Art's Archival Poetics at the New Museum Ocula Report Net Art's Archival Poetics at the New Museum 23 Feb 2019 : Banyi Huang for Ocula

How should net art be classified, historicised, and exhibited, when time has elapsed between its initial production and its latter presentation? On view at the New Museum from 22 January to 26 May 2019, The Art Happens Here: Net Art's Archival Poetics presents 16 seminal artworks from Net Art Anthology, an ambitious two-year initiative undertaken...

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Xi Bei Ocula Conversation Xi Bei Artistic Director, Times Art Center Berlin

Times Art Center Berlin is a non-profit art institution located in the Potsdamer Strasse Art District of Berlin. It was founded in July 2018 by the Guangdong Times Museum, a non-profit private art museum in the Pearl River Delta (PRD) region of China, making this the first parallel institution founded overseas by an Asia-based art museum. Its...

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4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula

'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...

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Related Press

Beauty and Disunity in Two Visions of the United States

Seph Rodney Hyperallergic First published on 20 April 2018

Teresita Fernández, Fire (United States of the Americas) (2017) (detail). Charcoal, 57 parts. Approximately 401.3 x 446.4 x 3.2 cm. Courtesy Hyperallergic. Photo: Seph Rodney.

A nation is a strange, abstracted construction: an aggregate of people, most of whom will never meet each other, who are nevertheless understood to be fellow citizens — that is, collaborators in some shared political project. American Landscape, on view at Lehmann Maupin gallery until May 5, presents two contradictory visions of the United States — one of the most hopeful, and one of the least — in the work of Teresita Fernandez and Nari Ward.

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