The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...
When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...
To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...
Next week, when V.I.P.s and special guests shuffle through Christie’s new West Galleries, in Rockefeller Center, they will alight on a series of abstract paintings by a group of relatively unknown artists. These pieces reflect a recent market craze for attractive, anodyne work with an emphasis on process and materials. But the artists at the West Galleries are not young painters from Brooklyn, Berlin, or Los Angeles. They are a group of Korean octogenarians who comprise a movement known as Tansaekhwa (or “Dansaekhwa”) and have been producing in this style since the nineteen-seventies.
Boris Vervoordt created the Axel Vervoordt Gallery in 2011. The gallery opened in a historic space in the centre of Antwerp with an exhibition by Günther Uecker. Boris chose to open the gallery in the same exact place where his father had mounted exhibitions for Uecker and Jef Verheyen in the 1970s. The first exhibition—and those that followed—linked this new start to the company’s long history with art and its original home in the Vlaeykensgang. This continued a path of more than 40 years of working closely with artists.
'Our company has always followed a path of discovery and knowledge through art.'
– Boris Vervoordt
Boris's goal was to create the best possible platform for solo artists to present their work. Central to the gallery's on-going mission is a commitment to partnering with artist’s estates, as well as rediscovering artists whose work was under-appreciated during their lifetimes to preserve and promote their valuable contributions to art history.
The gallery expanded to Asia in 2014 with a space in central Hong Kong in the Entertainment Building.
In 2017, the Antwerp gallery moved to a new space at Kanaal, opening with a monumental retrospective of Kazuo Shiraga.
The gallery’s early program included a specialty in post-war and contemporary art with a specific focus on art from Europe, Japan, and Korea, particularly art from the ZERO and Gutai movements. An emphasis on Dansaekhwa followed, as the gallery’s program and participation in global art fairs grew in prominence and its roster of artists expanded.
'Art offers joy and endless inspiration. Artists force us to look at the world in new ways. Seeing works by gallery artists in in major institutions—like the Tate and Guggenheim—is validating, but even more, it ensures that they will be shared with a wide audience in the context of passionate scholarship.'
– Boris Vervoordt
Blum & Poe opened in 1994 in Santa Monica, California with a roster of young Los Angeles and international artists. Now occupying a 22,000 square foot space in Los Angeles, the gallery produces a dynamic program serving both established and younger artists, as well as mounts conceptually rigorous group shows. Blum & Poe was a catalyst for the Culver City Arts District and has played a significant role in the critical reception of Los Angeles artists and their inclusion in public and private collections worldwide. In August 2014, Blum & Poe opened an office and space in Tokyo, Japan, which will function as a base for Asian operations and cement the galleryʼs long-standing relationship with post-war Japanese art.
Kukje Gallery has been a pivotal cultural hub in Seoul, Korea since its inception in 1982. Kukje Gallery is located in the heart of Samcheong-dong, a historically and culturally significant district. The gallery boasts three unique buildings, each titled according to its age: K1, K2, and K3. K2 opened in 2007 to celebrate the gallery’s 25th anniversary, and K3 opened in 2012 to commemorate its 30th anniversary.
Committed to showcasing both international and Korean artists, Kukje is widely celebrated for its diverse and ambitious programming. Specializing in modern and contemporary art, Kukje is often the first venue in Korea to present prominent artists, and major exhibitions have been staged to introduce leading international artists such as Anthony Caro, Anselm Kiefer, Alexander Calder, Louise Bourgeois, Donald Judd, Anish Kapoor, Bill Viola, Roni Horn, Candida Höfer, Julian Opie, Paul McCarthy, Jenny Holzer, Eva Hesse and Jean-Michel Othoniel.
In conjunction with its focus on international artists, Kukje is committed to promoting Korean artists abroad, introducing artists such as Haegue Yang, Kimsooja, Gimhongsok, Kyungah Ham, Yeondoo Jung, Sora Kim and Jae-Eun Choi at major art fairs around the world. Just as importantly, Kukje has made a strong commitment to post-war Korean artists including Ha Chong-Hyun, Lee Ufan, Chung Chang-Sup, Kwon Young-Woo, Park Seo-Bo, and Chung Sang-Hwa. In particular, Kukje has played a critical role in introducing Korean artists to important collectors, museums and cultural venues around the world, and many Korean artists supported by Kukje Gallery have exhibited in international biennials and major museum exhibitions.
These projects along with the gallery’s ambitious and scholarly exhibition catalogues and ongoing lecture series are what make Kukje a significant contributor in shaping Korea’s cultural landscape. Building on its unmatched reputation, Kukje continues to play a key role in developing the domestic art market as well as providing an important venue for introducing international trends.
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