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Aesthetic Radicalism in ‘Awakenings’ at Singapore’s National Gallery Ocula Report Aesthetic Radicalism in ‘Awakenings’ at Singapore’s National Gallery 21 Jun 2019 : Sam Gaskin for Ocula

Awakenings: Art in Society in Asia 1960s–1990s, a major retrospective at Singapore's National Gallery (14 June–15 September 2019), opens emphatically in flames. At the exhibition's entrance, viewers encounter a wall-sized image from 1964 titled Burning Canvases Floating on the River. The photograph captures a performance by Lee Seung-taek, in which...

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Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

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'Sites Encountered': A Chorus of Five Artists at M+ Pavilion Ocula Report 'Sites Encountered': A Chorus of Five Artists at M+ Pavilion 21 Jun 2019 : Emily Verla Bovino for Ocula

Without punctuation, She Said Why Me, the title of May Fung's 1989 video presents itself as a statement, rather than a question. It suggests a subject who expects no response, a person prepared to make what she can from being chosen though perplexed by the attention. The video follows a blindfolded woman, then unmasked, through late colonial-era...

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Chung Sang-hwa

b. 1932, South Korea

Related Press

The rise of Dansaekhwa

Natalie Hegert MutualArt 21 January 2016
Dansaekhwa and Minimalism, Exhibition view, 2016, Blum & Poe, Los Angeles. Pictured, left to right: Kwon Young-woo, Sol LeWitt, Chung Sang-hwa. Courtesy of the artists and Blum & Poe, Los Angeles/New York/Tokyo via MutualArt.

Dansaekhwa and Minimalism, which opened January 16 at Blum & Poe in Los Angeles, is the latest in a series of exhibitions and publications devoted to the Korean monochrome painting movement sweeping the globe of late. While Dansaekhwa (also spelled “Tansaekhwa”) emerged somewhat concurrently with American Minimalism, this is the first exhibition to consider the two movements side by side, finding subtle synchronicities between the artists’ approaches to form, material, and medium.

The artists associated with Dansaekhwa have enjoyed rising prominence in the art world, and increasing popularity among collectors, in the past few years. If one hadn’t heard of Dansaekhwa prior to 2014, it has been hard to escape since: with high visibility at recent editions of Frieze and Art Basel; a special collateral exhibition at the 2015 Venice Biennale, and with it a comprehensive book about the movement being published in English for the first time.

READ MORE ON mutualart.com

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