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58th Venice Biennale: May You Live In Interesting Times Ocula Report 58th Venice Biennale: May You Live In Interesting Times 24 May 2019 : Mohammad Salemy for Ocula

The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...

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Zheng Bo Ocula Conversation Zheng Bo

Hong Kong-based artist Zheng Bo's social, ecological, and community-engaged art practice has, in recent years, focused on moving beyond a human-centred perspective to an all-inclusive, multi-species approach. He takes up marginalised plants and communities of people as subjects in his large-scale interventions, which reintroduce wildness into...

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Auckland Art Fair 2019: Conversations Extended Ocula Report Auckland Art Fair 2019: Conversations Extended 24 May 2019 : Sherry Paik for Ocula

The weather was clement for the annual Auckland Art Fair (2–5 May 2019), which was again at The Cloud on Queens Wharf. This year's edition was a get-together of 41 galleries, mostly from around Auckland and across New Zealand, with 5 spaces hailing from Sydney and the rest from Cook Islands (Bergman Gallery), Hobart (Michael Bugelli Gallery),...

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The urban chaos of Japanese photographer Daido Moriyama

C. A. Xuan Mai Ardia Art Radar Journal 30 May 2016
Daido Moriyama, Daido Tokyo, Exhibition view at Fondation Cartier pour l’art contemporain, 2016, Paris. Photo: Luc Boegly. Image courtesy the artist and Daido Moriyama Photo Foundation.

Fondation Cartier pour l’art contemporain in Paris launched a major show of the Japanese photographer’s most recent work in February 2016. Charting some of Moriyama’s most significant oeuvre of the past decade, the exhibition brings to the fore the artist’s lesser-known colour photography as well as a new body of commissioned work.

Back in 2003, Fondation Cartier pour l’art contemporain in Paris held Japanese photographer Daido Moriyama’s first major survey exhibition in France, featuring more than 200 of his photographs dating from the 1960s to the present. The show, which was organised in collaboration with the artist, included some of his most significant series of work, including Platform (1977), Light and Shadow (1981-82), Hysteric (1992), Polaroid Polaroid (1997) and Shinjuku (2002).

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